by Graeme Daniels & Joseph P. Farley ‧ RELEASE DATE: N/A
A wide-ranging, compassionate consideration of treatment for sex addiction.
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In their debut work of nonfiction, therapists Daniels and Farley write about the controversial subject of sex addiction and their treatment methods.
“We would like to think that we are in control of our minds and that we make important life decisions on the basis of conscious, rational thoughts,” write Daniels and Farley. “Neuroscience assures us that nothing could be further from the truth.” To guard against the tendency toward irresistible, irrational behavior, the authors employ the psychodynamic approach, in which “the selfhood of the therapist” is a prominent part of the process. In other words, the therapist is actively questioning, guiding, and heavily involved in the therapy/conversation (the authors repeatedly underscore this fraught element of the therapist’s personal involvement). The level of personal involvement on the therapist's part might not be as prevalent in more traditional approaches, like Cognitive Behavioral Therapy, and in order to clarify their own approach, Daniels and Farley provide a series of “case illustrations” of various therapy sessions they’ve conducted with sex addicts and the women in their lives (the authors assert that female sex addicts are very rare). Through these case illustrations and discussions of all aspects of sex addiction, the authors present a broad picture of their subject, covering the complex roles that pornography plays in the personal dynamics involved, or the function of social stigma, or even the ways class differences can alter the picture (for example, they note that addicts who have “greater resources” often face fewer consequences).
Daniels and Farley write with appealing clarity and directness about the subject of sex addiction: “It’s not easy to engage in real discussion about sex, let alone deviant or supposedly objectionable sex. Other than death, sex is the most difficult subject, and it’s hardly made easier in the context of a mental or behavioral disorder.” They engagingly cover a wide range of the forms sex addiction can take, from traditional behaviors, like voyeurism or serial adultery to more modern concepts like “sexting,” and they ground everything with research (the book has extensive notes and a bibliography) and firsthand professional observation—an authoritative combination. Their resistance to easy answers on the issue is refreshing, and their narrative of sex addiction is remarkably understanding toward all involved. For instance, while the authors’ sympathy is primarily reserved for those whose lives are affected by sex addicts (who often systematically destroy the lives of their families and loved ones through their uncontrolled behavior), they reject any blanket vilification of the men causing these disruptions. And they resist the “progressive orthodoxy” in which “those who plaintively use the word misandry are cast as antifeminist.” Daniels and Farley continue this praiseworthy equilibrium throughout the book. Readers skeptical of psychodynamic therapy’s nonobjective nonclinical overtones probably won’t be converted by this book, particularly when it comes to something as potentially damaging as sex addiction. But the highly personal approach here, including all the case studies, may offer hope, and the scrupulously nonjudgmental tone will make this book not only invaluable but comforting to those dealing with this addiction.
A wide-ranging, compassionate consideration of treatment for sex addiction.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: May 31, 2024
Review Program: Kirkus Indie
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by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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by David Sedaris ‧ RELEASE DATE: May 29, 2018
Sedaris at his darkest—and his best.
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In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
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