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A WORLD WITHOUT ISLAM

A cogent argument demonstrating that a knowledgeable awareness of the rich dynamics that drive societies will better help...

Without the establishment of Islam, writes former CIA official Fuller (New Turkish Republic: Turkey As a Pivotal State in the Muslim World, 2007, etc.), the religion of the East would predominately still be Eastern Orthodox Christianity, and probably as hostile to the West as it was before the fall of Constantinople.

In focusing all its rage against Islam in the pursuit of the eradication of terrorism, the West has lost sight of the key role of “geopolitical considerations of power” over theological differences. Islamism, rather than Islam, has become just one of many ideological vehicles employed against Western interventionism, imperialism and colonialism, and the rise of its new forms of resistance—fundamentalism and terrorism—is as predictable as, say, the Reformation grievances against the Catholic Church. The author provides a broad, far-flung survey of historical currents that have fed the West-East divide, namely how the early centuries of peaceful Christian conversion in the Middle East gave way to orthodoxy and the organization of a state structure in the form of the Byzantine Empire, which broke with Rome and vigorously suppressed “a smorgasbord of heresies.” The relatively recent religion on the scene, Islam, united dissonant tribal entities of the region and opened Islam to non-Arabs, an organic development that Fuller views as “an important process of fusion.” The author considers the Crusades as an expansionist move by the West, in response to external marauding forces, and demonstrates how the breakaway elements in the Protestant Reformation “opened the door” to more liberal (or literal) interpretations of orthodoxy, in much the same way that modern Islamist movements have broken away from (or adhered more strictly to) the Islamic party line. Fuller offers a useful survey of Muslim communities in Russia, India and China, and looks at how Islam—rather than Arab nationalism, for example—has become today’s tool in resistance to the West.

A cogent argument demonstrating that a knowledgeable awareness of the rich dynamics that drive societies will better help diffuse tensions.

Pub Date: Aug. 11, 2010

ISBN: 978-0-316-04119-5

Page Count: 352

Publisher: Little, Brown

Review Posted Online: June 3, 2010

Kirkus Reviews Issue: June 1, 2010

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THE ART OF SOLITUDE

A very welcome instance of philosophy that can help readers live a good life.

A teacher and scholar of Buddhism offers a formally varied account of the available rewards of solitude.

“As Mother Ayahuasca takes me in her arms, I realize that last night I vomited up my attachment to Buddhism. In passing out, I died. In coming to, I was, so to speak, reborn. I no longer have to fight these battles, I repeat to myself. I am no longer a combatant in the dharma wars. It feels as if the course of my life has shifted onto another vector, like a train shunted off its familiar track onto a new trajectory.” Readers of Batchelor’s previous books (Secular Buddhism: Imagining the Dharma in an Uncertain World, 2017, etc.) will recognize in this passage the culmination of his decadeslong shift away from the religious commitments of Buddhism toward an ecumenical and homegrown philosophy of life. Writing in a variety of modes—memoir, history, collage, essay, biography, and meditation instruction—the author doesn’t argue for his approach to solitude as much as offer it for contemplation. Essentially, Batchelor implies that if you read what Buddha said here and what Montaigne said there, and if you consider something the author has noticed, and if you reflect on your own experience, you have the possibility to improve the quality of your life. For introspective readers, it’s easy to hear in this approach a direct response to Pascal’s claim that “all of humanity's problems stem from man's inability to sit quietly in a room alone.” Batchelor wants to relieve us of this inability by offering his example of how to do just that. “Solitude is an art. Mental training is needed to refine and stabilize it,” he writes. “When you practice solitude, you dedicate yourself to the care of the soul.” Whatever a soul is, the author goes a long way toward soothing it.

A very welcome instance of philosophy that can help readers live a good life.

Pub Date: Feb. 18, 2020

ISBN: 978-0-300-25093-0

Page Count: 200

Publisher: Yale Univ.

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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THE BOOK OF GENESIS ILLUSTRATED

An erudite and artful, though frustratingly restrained, look at Old Testament stories.

The Book of Genesis as imagined by a veteran voice of underground comics.

R. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesis—drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)—and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a “straight illustration job, with no intention to ridicule or make visual jokes.” But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarely—as with the destruction of Sodom and Gomorrah—does Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author’s respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb’s immense talents as a draftsman and stubborn adherence to the script.

An erudite and artful, though frustratingly restrained, look at Old Testament stories.

Pub Date: Oct. 19, 2009

ISBN: 978-0-393-06102-4

Page Count: 224

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2009

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