A riveting journey recounted by an irrepressible, highly likable narrator.
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A witty, resilient Liverpudlian sets out to visit every sovereign nation in the world in this travelogue.
British adventurer Hughes plans to visit every country and territory in the world. In order to satisfy Guinness World Records, he agrees to follow a few basic rules: He can’t travel by plane, nor hitchhike, nor use anything other than public transportation; he must set foot on dry land in each place; and “A visit to a far-flung territory does not count as a visit to ‘the motherland.’ ” This first installment of a planned trilogy begins on Jan. 1, 2009, on the border between Argentina and Uruguay and ends, 133 countries and 6 territories later, on Dec. 31, 2009, at the Egyptian pyramids. It covers the author’s journey through the Americas, Europe, and Africa, and it’s bursting with fascinating, hilarious, and occasionally terrifying anecdotes. While traveling across the Gulf of Mexico, he nonchalantly recounts that a yacht captain used “a fishing hook to put stitches in [his] head with no anaesthetic other than a bottle of scotch.” In the Congo, he’s inexplicably thrown into a prison cell that “was like somewhere you might wake up if you were a victim of the Jigsaw Killer” in the movie Saw. Yet the mood is almost always upbeat, and readers will succumb to Hughes’ deliciously blunt humor: “the fact that I still hadn’t suffered the squits the entire journey…only goes to prove that my DNA should be extracted and cloned in order to create the race of ginger super-soldiers that will one day RULE THE WORLD.” The book is made even more amusing by editor’s notes that occasionally translate the author’s Liverpool slang: “Helga rustled up some scouse (Liverpool stew) for me to eat and it was proper boss la….Editor’s Note: Apparently in Liverpool this means really good.” The straightforward, chronological approach leaves little time for evocative description, but it adds to the urgency as the author visits country after country. It’s also carefully illustrated with maps and information cards throughout. Readers will be eager to read the next book in this series.
A riveting journey recounted by an irrepressible, highly likable narrator.Pub Date: Oct. 15, 2017
ISBN: 978-1-62613-081-4
Page Count: 332
Publisher: ATBOSH Media Ltd.
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: April 1, 2018
Review Program: Kirkus Indie
Categories: GENERAL NONFICTION
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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)
Pub Date: May 1, 1995
ISBN: 0-19-508629-4
Page Count: 224
Publisher: Oxford Univ.
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 1, 1995
Categories: GENERAL NONFICTION
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Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
Categories: GENERAL NONFICTION
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