A contemplative picture book that bears watching.
A view of rural life through the eyes of a boy riding the bus to school.
The book opens to the sight of “one boy watching” for the school bus in the morning. Once on the bus, he looks out the window at sparsely populated country roads, train tracks, and farmland while the seats slowly fill with other children. The solitary but curious and contented nature of the unnamed boy is palpable as he notices various details, from “one gnarled tree” and “four rusty cars” to “seven wild sunflowers” and “two water towers.” The repetitive text, with just one line per page, underscores the routine nature of the daily bus ride as well as its lengthiness. The bus itself almost becomes a character, described at first in static terms—“two bright headlights,” “three big steps up,” and “twenty-eight empty seats”—and then figuratively as a “crayon box” into which kids pack themselves and from which they ultimately spill out. This image is especially appropriate given Snider’s smudged crayon illustrations, brightly colored and drawn in a childlike style. The emphasis on numbers (although not presented in order) to describe details in the illustrations makes this book useful for practicing counting. (This book was reviewed digitally.)
A contemplative picture book that bears watching. (Picture book. 4-7)Pub Date: June 28, 2022
ISBN: 978-1-79721-088-9
Page Count: 60
Publisher: Chronicle Books
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Unusual illustrations enhance an engaging, informative narrative.
What can a worm do?
A little worm sets off on a “twirl” to “see the world.” But when it overhears a human referring to it as “just a worm,” its feelings are hurt. The worm asks other critters—including a caterpillar, a spider, a dragonfly—what they can do. After each answer (turn into a butterfly, spin silk thread, fly), the worm becomes more and more dejected because it can’t do any of these things. “Maybe I am just a worm.” But then the worm encounters a ladybug, who eats aphids and other insects, and the worm realizes that it eats dead plants and animals and keeps gardens clean. And though the worm can’t pollinate like the bee, it does create castings (poop) that help plants grow and stay healthy. These abilities, the worm realizes in triumph, are important! The cleverness of this story lies in its lighthearted, effective dissemination of information about various insects as well as earthworms. It doesn’t hurt that the expressive little worm is downright adorable, with emotions that will resonate with anyone who has felt unimportant. The stunning illustrations are done in quilled paper—a centuries-old technique that involves assembling strips of colored paper into shapes—which adds sparkle and originality. A tutorial of how to make a quilled butterfly and a page on earthworm facts round out the book. (This book was reviewed digitally.)
Unusual illustrations enhance an engaging, informative narrative. (Informational picture book. 4-7)Pub Date: March 14, 2023
ISBN: 978-0-06-321256-5
Page Count: 32
Publisher: Greenwillow Books
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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