All the photos are diverting, but the conceptual premise stumbles.
Pairs of bold, quirky photographs from varied locations illustrate contrasting concepts.
An aerial-photography specialist focuses on waterscapes, landscapes, and animals, sometimes unusually enhanced. Settings (named under each photo) include Bolivia, the Caribbean, the Pacific, Antarctica, and a hotel in Palm Springs, California, complete with fantastical animal inhabitants, previously featured in Malin’s Be Our Guest! (2018). The most intriguing photos are of llamas in Salar de Uyuni, a Bolivian salt flat. The woolly animals have traditional wool tassels hanging from their ears and, sometimes, quite untraditional large balloons surrounding their bodies. Two llamas, one black, one white, each covered in matching balloons, dominate the jacket. The spectacular large balloons show up again inside the book, where one llama with pink balloons stands opposite two others, also draped in pink. The intense blue sky, the white salt surface, and the pink balloons are striking, but the concept words “ALONE” and “TOGETHER” in embossed block capital letters across the photos’ middles distract from the strong visuals. Unfortunately this same layout is used throughout. While many coupled images artfully represent the simple concepts being introduced, others don’t work as well. Two flamingos labeled with the word “FEATHERS” are next to a tiger labeled “FUR.” An elephant surrounded by tall, balloon-festooned shrubs opposite a bunch of balloons rising in the salt flat, labeled “HEAVY” and “LIGHT,” respectively, is positively opaque.
All the photos are diverting, but the conceptual premise stumbles. (Picture book. 3-5)Pub Date: May 5, 2020
ISBN: 978-1-4197-3970-5
Page Count: 48
Publisher: Abrams Appleseed
Review Posted Online: Feb. 25, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their...
Less ambitious than Chris Gall’s widely known Dinotrux (2009) and sequels, this British import systematically relegates each dinosaur/construction-equipment hybrid to its most logical job.
The title figures are introduced as bigger than both diggers and dinosaurs, and rhyming text and two construction-helmeted kids show just what these creatures are capable of. Each diggersaur has a specific job to do and a distinct sound effect. The dozersaurus moves rocks with a “SCRAAAAPE!!!” while the rollersaurus flattens lumps with a cheery “TOOT TOOT!!” Each diggersaur is numbered, with 12 in all, allowing this to be a counting book on the sly. As the diggersaurs (not all of which dig) perform jobs that regular construction equipment can do, albeit on a larger scale, there is no particular reason why any of them should have dinosaurlike looks other than just ’cause. Peppy computer art tries valiantly to attract attention away from the singularly unoriginal text. “Diggersaurs dig with bites so BIG, / each SCOOP creates a crater. // They’re TOUGH and STRONG / with necks so long— / they’re super EXCAVATORS!” Far more interesting are the two human characters, a white girl and a black boy, that flit about the pictures offering commentary and action. Much of the fun of the book can be found in trying to spot them on every two-page spread.
Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their dino/construction kicks. (Picture book. 3-6)Pub Date: April 2, 2019
ISBN: 978-1-9848-4779-9
Page Count: 32
Publisher: Random House
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
BOOK REVIEW
BOOK REVIEW
Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on...
Continuing from their acclaimed Those Shoes (2007), Boelts and Jones entwine conversations on money, motives, and morality.
This second collaboration between author and illustrator is set within an urban multicultural streetscape, where brown-skinned protagonist Ruben wishes for a bike like his friend Sergio’s. He wishes, but Ruben knows too well the pressure his family feels to prioritize the essentials. While Sergio buys a pack of football cards from Sonny’s Grocery, Ruben must buy the bread his mom wants. A familiar lady drops what Ruben believes to be a $1 bill, but picking it up, to his shock, he discovers $100! Is this Ruben’s chance to get himself the bike of his dreams? In a fateful twist, Ruben loses track of the C-note and is sent into a panic. After finally finding it nestled deep in a backpack pocket, he comes to a sense of moral clarity: “I remember how it was for me when that money that was hers—then mine—was gone.” When he returns the bill to her, the lady offers Ruben her blessing, leaving him with double-dipped emotions, “happy and mixed up, full and empty.” Readers will be pleased that there’s no reward for Ruben’s choice of integrity beyond the priceless love and warmth of a family’s care and pride.
Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on children. (Picture book. 5-8)Pub Date: Oct. 4, 2016
ISBN: 978-0-7636-6649-1
Page Count: 40
Publisher: Candlewick
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
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