If you want a hint of where Hrbek is going, thematically, with this story, look to the title of a short story collection...
In which unthinkable calamity propels a nation—and a family—into a rapidly imploding dystopia and slow-motion apocalypse.
It begins with what seems at first like a plane heading for the Golden Gate Bridge, except that it’s “too bright” to be a plane but more “like something cosmic come at high speed through the atmosphere.” Whatever it is, Skyler Wakefield, a 20-year-old college student and aspiring novelist, sees it shatter the bridge and bathe everything around it in near-blinding radioactive heat. Years after San Francisco and most of its inhabitants perish, America is a tense, fragmented society of colonies, territories, and prairie internment camps for Muslims. (Early reports alleged the words “Air Arabia” could be seen on the projectile that hit the bridge.) Skyler’s baby brother, Dorian, is 12 years old and haunted by dreams of a dead sister who the rest of his still-traumatized family insists never existed. Meanwhile, the family’s next-door neighbor, a 71-year-old veteran of something called Gulf War III, has made his way to one of the detention centers to adopt a Muslim orphan named Karim, who’s the same age as Dorian—who, as it happens, is cultivating a hard-core prejudice against Muslims. His impromptu expression of an ethnic slur at a backyard barbecue leads to a bloody fight between him and Karim. More grievances accumulate, leading to more bigotry and malign conspiracies on both sides of the American and Arab divide...and greater horrors to come. Hrbek’s (Destroy All Monsters, 2011, etc.) engagement with themes of loss and recovery and his vibrantly lyrical prose style reach a peak in this dark, allusive fantasy, which seems intended as a metaphor for the anxieties still lurking in our post–9/11 universe. As one of the book’s characters says, “What are we living in now, if not fear?” Which, as Hrbek implies (and FDR once famously proclaimed), may itself be a worse enemy than any other we can find, or contrive, for ourselves.
If you want a hint of where Hrbek is going, thematically, with this story, look to the title of a short story collection written about 80 years ago in an America far different from ours: In Dreams Begin Responsibilities.Pub Date: Sept. 22, 2015
ISBN: 978-1-61219-453-0
Page Count: 272
Publisher: Melville House
Review Posted Online: July 13, 2015
Kirkus Reviews Issue: Aug. 1, 2015
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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