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THE DEVIL’S PUNCHBOWL

Just right for beach reading at Gulfport—or Tunica, for that matter: a whodunit that aspires to literature, albeit of the...

A steamy, swampy tale of international nastiness by accomplished thriller writer Iles (True Evil, 2006, etc.).

Penn Cage, steely protagonist of two previous novels (The Quiet Game, 1999; Turning Angel, 2005), is now mayor of Natchez, Miss., and, after something of a midlife crisis involving both widowhood and a career change, heading deep into middle age. Penn reconnects with a childhood friend who brings him dark word of bad things happening down in the Devil’s Punchbowl, a hollow off the Mississippi River where bad guys have long disposed of their victims. The bad guys are no longer the river rats and Confederate deserters of old; now they come from all over the world—the toughest of them, it seems, from Ireland—to do a thriving trade in illegal things surrounding the already lucrative business of legalized gambling. Those things include drugs, underage prostitution, white slavery and dogfighting. The novel’s perfectly rendered atmospherics and sometimes depressive sense of miasmal gloom (“I’d be dog bait, and that’s a truly terrible way to die”) frequently invoke Faulkner, though Iles’ prose is more straightforward. The mayhem is altogether postmodern, a perfect vehicle for Billy Bob Thornton (as heavy or hero, your pick) and a shattering experience for everyone involved, not least Cage’s sometime girlfriend, who finds herself deeper in the mire than anyone might have wanted, and his boyhood pal, for whom things do not turn out happily. Strong characters, male and female; utterly convincing villains in Brooks Brothers suits and private jets; and a believable premise. All these elements add up to a tale that ends, yes, on the promise of a sequel to come.

Just right for beach reading at Gulfport—or Tunica, for that matter: a whodunit that aspires to literature, albeit of the Southern Gothic variety.

Pub Date: July 1, 2009

ISBN: 978-0-7432-9251-1

Page Count: 480

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2009

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FALL; OR, DODGE IN HELL

An audacious epic with more than enough heart to fill its many, many pages.

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  • Kirkus Reviews'
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  • New York Times Bestseller

When Richard "Dodge" Forthrast dies under anesthesia for a routine medical procedure, his story is just beginning.

As the founder and chairman of a video game company, Dodge has a pretty sweet life. He has money to burn and a loving relationship with his niece, Zula, and grandniece, Sophia. So when he dies unexpectedly, there are a lot of people to mourn him, including his friend Corvallis Kawasaki, who is also the executor of his will. To make matters worse (or, to say the least, more complicated), there's something unexpected in Dodge's last wishes. It turns out that in his youth he put it in writing that he wanted his brain to be preserved until such technology existed that his consciousness could be uploaded into a computer. And much to everyone's surprise, that technology isn't so far off after all. Years later, Sophia grows up to follow in her clever grand-uncle's footsteps and figures out a way to turn on Dodge's brain. It is at this point that the novel splits into two narratives: "Meatspace," or what we would call the real world, and "Bitworld," inhabited by Dodge (now called "Egdod") and increasing numbers of downloaded minds. Stephenson (co-author: The Rise and Fall of D.O.D.O, 2017; Seveneves, 2015, etc.) is known for ambitious books, and this doorstop of a novel is certainly no exception. Life in Bitworld is more reminiscent of high fantasy than science fiction as the ever evolving narrative plays with the daily reality of living in a digital space. Would you have special abilities like a mythical god? Join your aura together with other souls and live as a hive mind? Create hills and rivers from nothing? Destroy your enemies with tech-given powers that seem magical? Readers looking for a post-human thought experiment might be disappointed with the references to ancient mythology, but those ready for an endlessly inventive and absorbing story are in for an adventure they won't soon forget.

An audacious epic with more than enough heart to fill its many, many pages.

Pub Date: June 4, 2019

ISBN: 978-0-06-245871-1

Page Count: 880

Publisher: Morrow/HarperCollins

Review Posted Online: March 16, 2019

Kirkus Reviews Issue: April 1, 2019

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SKIN GAME

Once again, Woods-plus-collaborator is Woods-plus. The high body count is utterly weightless, and the identity of the mole...

The CIA calls on its favorite rogue ex-operative, Teddy Fay (The Money Shot, 2018, etc.), to flush out a mole in its Paris office.

Agency director Lance Cabot makes no bones about how serious the problem is when he reaches out to Teddy, aka film producer Billy Barnett, aka stunt man Mark Weldon, demanding his help and offering in return no money, precious little logistical support, and not even the pretense that Teddy owes his country something. In fact, the problem’s even more serious than Lance knows: Syrian strongman Fahd Kassin can already listen in on Lance’s phone calls, and soon enough his operatives have drawn a bead on Teddy’s communications as well. Uncertain exactly what Teddy’s charge is or how he plans to fulfill it, Kassin dispatches a series of assassins to neutralize the threat, but through a combination of experience, sharp instincts, physical conditioning, and dumb luck, Teddy (spoiler alert) manages to stay a step ahead of them, outwitting some of them and killing the others. Arriving safely in Paris under still another alias, reactivated CIA agent Felix Dressler, he introduces himself to members of the staff, takes the best-looking one to bed, and roots around till he comes across something that makes his antennae bristle: the participation of several world-class scientists in a hush-hush, invitation-only session of the Endangered Species Preservation Conference. Ignoring Lance’s directive about how to proceed, Teddy, who “couldn’t recall an operation where there had ever been so much at stake,” pretends to have left the country, disguises himself yet again as big-game-hunting Texas oilman Floyd Maitland, and talks himself into that secret session, whose rationale is almost worth the price of the book.

Once again, Woods-plus-collaborator is Woods-plus. The high body count is utterly weightless, and the identity of the mole will surprise only fifth-graders reading their first volume from the adult section, but the influence of Hall guarantees a plot that’s coherent, ingenious, and even somewhat consequential.

Pub Date: June 4, 2019

ISBN: 978-0-7352-1916-8

Page Count: 320

Publisher: Putnam

Review Posted Online: March 17, 2019

Kirkus Reviews Issue: April 1, 2019

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