Stone’s most memorable reflection: “He had been too long without a woman.” Yeah, right.
New York attorney Stone Barrington fights to protect a sizable estate from a predatory claimant determined to grab it from whomever stands in his way.
When Stone’s secretary, Joan Robertson, introduces him to her aunt, Annetta Charles, whose attorney at Stone’s firm, Woodman & Weld, has just died, Stone thinks her request to revise her will is routine. And so it is, on paper. Annetta, who rose from a shady background to marry into her late husband’s serious money, wants to continue paying $100,000 a month into the trust fund of her stepson, Edwin Charles Jr., but to cut him off without a cent at her death—because she wants to discourage him from killing her for the nest egg. Eddie, a Yale Law graduate who’s never worked a day in his life, reacts to the news that his do-nothing lifestyle depends on his leaving his stepmother alone with predictable outrage and a series of pleasingly unpredictable countermeasures. He bursts into Stone’s home office in Turtle Bay; accosts him at dinner with his former partner, NYPD Commissioner Dino Bacchetti; and tells everyone who’ll listen that he’s Stone’s client. The lie becomes especially fraught when Annetta is shot to death and Eddie’s arrested for her murder. Apart from Stone’s forgettable flings with two women involved in very different ways with Eddie’s threats, Woods keeps his eye on the ball throughout, and though the suspense never exactly intensifies—Woods doesn’t do rising suspense—Stone’s pesky antagonist is so well matched with both his hero and the requirements of his plot that fans’ interest will never flag. As a bonus, Stone’s self-effacing secretary is rewarded with a leading role and other emoluments.
Stone’s most memorable reflection: “He had been too long without a woman.” Yeah, right.Pub Date: Aug. 2, 2022
ISBN: 978-0-593-54000-8
Page Count: 304
Publisher: Putnam
Review Posted Online: Aug. 10, 2022
Kirkus Reviews Issue: Sept. 1, 2022
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.
Could making a movie about the disappearance of five women from an island reawaken an evil presence there?
Five dresses hang from the topmost limbs of an oak on a remote island in a Vermont lake. That memorable image marks a mystery from a century ago, when five women believed to have been part of a commune vanished forever. As this novel opens, another group gathers on the island to make a movie based on that tale. Marin Keane, the narrator, is surprised but thrilled to find herself cast as one of the leads; she’s a struggling actor whose biggest part so far has been “Bridesmaid with Eczema” in a drug commercial, so playing Daisy Rue, whose haunting diary is the basis for the movie’s script, could be a career-making move. Ronan Peters, the writer-director, is talented and, Marin notes, hot. His reason for gathering the cast on the island is a kind of boot-camp rehearsal: They’ll spend a week living there, wearing period clothes, and managing without internet or phone service. Oh, and holding séances. What could go wrong? Marin quickly meets the other women in the cast: regal character actor Julianne Brown, cool and competent Heather Benchley, bratty former Disney star Susie Hutchinson, and, striking awe in all of them, Violet Wright, a much-awarded Meryl Streep-ish figure who will play the woman who brought the others to the island, which she owned. They get to work, but soon enough someone disappears. The book’s plot, like the movie’s script, largely follows Daisy’s journal, and since the reader is supplied with pages-long sections of that journal, there’s not much suspense about what will happen next. There are some effective set pieces, such as the group’s first séance. But in its last quarter, the plot collapses into a muddle of #MeToo vengeance, improbable secrets, and jarring character reveals that is, as Marin says, “the most Scooby-Doo thing I’ve ever heard.”
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.Pub Date: Aug. 4, 2026
ISBN: 9798217044092
Page Count: 368
Publisher: Dutton
Review Posted Online: June 1, 2026
Kirkus Reviews Issue: July 1, 2026
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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