A promising, often entertaining debut soaked through with Texas flavors.
A closeted local politician, a beautiful college student with serious financial problems, a “fixer” with connections, and a mob goon race for treasure in this tense, Dallas-based novel by Lynch (Babylon 5, 2006, etc.).
College student Allison Kerry is working two summer jobs, struggling to save money for law school and help out her hapless brother and his critically ill son. Her ethics and tenacity are admirable—but when grocery bags containing packs of $100 bills fall off the roof of a blue Suburban and onto her beat-up Volkswagen’s hood, she decides to hold on to it rather than report it or find its rightful owner, despite a cryptic note in one of the bags. How did nearly $750,000 end up on the roof of that SUV? This question briskly sets the plot in motion. The SUV, it turns out, belongs to Bill Garrett, an unscrupulous political fixer who’s committed countless crimes. City councilman Billy Clayton misleads him into believing that they’re both being blackmailed by a giant construction company and that they must pay off another council member to ensure a stadium contract and avoid an intimidating mob enforcer named James Garrelli. But Clayton has a deeper secret: the married Texan likes to step out with men at a bar called Booty Scoot. When Garrelli puts a gun to Clayton’s head, makes him say “I’m a hick who likes dick,” and blackmails him with photos, he knows he needs Garrett’s help. Meanwhile, with the help of a stalwart neighbor, Allison attempts to evade and outwit everyone else. Overall, this story is well-paced with some suspenseful moments that sometimes verge on ludicrous; for example, at one point, an African-American council member calculates “reparations” he’s owed to the penny and demands a bribe of $746,841.03. The principal characters are credible throughout, but the story is marred by some cartoonish figures, such as a hit man who can’t hit straight, a backwoods animal caretaker who names animals after his exes so he’ll enjoy killing them, and a wife addicted to buying heirloom china on eBay.
A promising, often entertaining debut soaked through with Texas flavors.Pub Date: May 10, 2016
ISBN: 978-1-61296-697-7
Page Count: 350
Publisher: Black Rose Writing
Review Posted Online: Aug. 4, 2016
Review Program: Kirkus Indie
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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