A thoughtful, funny play about men from a Christian perspective.

THE GILLS CREEK FIVE

Dodd (A Seed for the Harvest, 2014) tells the story of five men brought together to form an unlikely book club in this Christian three-act play.

Dane is a divorced English teacher with an unpublished novel. When he started a Christian book club for men in the classroom of a church in Columbia, South Carolina, he had no idea what sort of characters might show up. Rett, it turns out, is someone he knows: a garrulous former pastor with whom Dane attended college but who has since undergone a faith journey that he can’t stop talking about. Sam is a veterinarian transplant from England who has trouble picking up on social cues, which is why he’ll happily natter on about the most recent enema he’s performed on a cat. Overweight, 24-year-old Emile doesn’t have a “job-job, like most people,” but rather spends his time on “tabletop fantasy role-play games, like HeroQuest and Feng Shui.” Emile balks at the length of the selected book. Most colorful is Martin, the loquacious and oft-drunk jokester whose wife thinks he’s at the AA meeting down the hall. Dane has his work cut out for him attempting to herd these cats into a functional book club. Martin needles, Rett butts in, Emile complains, and Sam loses the plot. But as the discussion moves to the text and beyond, Dane finds this collection of odd men to be a surprisingly fertile community. Faith, fears, and failing marriages all come up as each man slowly drops his guard and bares his soul. Dodd excels at the sort of dense, colorful dialogue necessary to sustain a play about a group of men in a room. Each of the five primary characters is so present and alive in their speech that the reader can easily picture them without the need of an actor to embody them. The standouts are Emile, with his halting, slangy utterances, and Martin with his hammy verbiage. The latter gets all the most writerly lines: “Regret is the fuel that drives our desire to get it right the next time. You take away all regret and we end up stumbling through life frying chickens at a KFC.” That isn’t to say that there isn’t some fat in the cross talk that could have been trimmed. Additionally, the fact that the book group is reading Dodd’s previous book, A Seed for the Harvest (“It did win a medal for Christian fiction in some independent publisher book awards last year,” plugs Dane), walks a fine line between metafictional wink and authorial self-indulgence. The Christian angle, while present, is not as heavy-handed as one might expect, and there are some thoughtful discussions on the nature of faith even if they end up in predictable places. It’s the character dynamics that really keep the reader turning the pages, however.

A thoughtful, funny play about men from a Christian perspective.

Pub Date: May 15, 2017

ISBN: 978-0-9915332-4-4

Page Count: 162

Publisher: Harvest Chronicles

Review Posted Online: Aug. 31, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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There are unforgettable beauties in this very sexy story.

TELL ME LIES

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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