Budding cooks, dedicated eaters, and culinary historians will relish the presentation.
A tasty overview of a popular dish.
In this history of the finger or knife-and-fork food, a bespectacled rat takes readers back in time to ancient Greece and Persia (where some say the food may have originated) and then forward to 19th-century Naples and a chef named Raffaele Esposito, who “was famous for making the best pizza in Naples.” Pizzoli notes that King Umberto and Queen Margherita heard about the pizza on a visit to Naples and that, according to lore, the queen requested it—an image of Esposito riding a horse with pizza boxes tied to it offers a whimsical depiction of what Pizzoli dubs “the first pizza delivery.” Italian immigration to the United States in the late 19th and early 20th centuries and the return of U.S. soldiers from Italy after World War II contributed to the widespread demand for the pies. Not content with the typical recipes, chefs all over the world have added toppings ranging from peas (Brazil) to fish (Russia) to coconuts (Costa Rica) to mayo jaga (Japan). The simple recipe for toaster oven–style minipizzas at the end of the book is child-friendly, starting with English muffins and adding mozzarella and tomatoes. Flavoring the concise yet fun narrative is the deliciously inspired palette dominated by red, green, and white that evokes both the Italian flag and pizza itself. (This book was reviewed digitally.)
Budding cooks, dedicated eaters, and culinary historians will relish the presentation. (Informational picture book. 4-8)Pub Date: Aug. 9, 2022
ISBN: 978-0-425-29107-8
Page Count: 56
Publisher: Viking
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
A sanitized version of a too-short life.
A bobblehead avatar of the teenage writer and symbol of the Holocaust presents her life as an inspiration.
From a big-eared babyhood and a childhood spent “writing stories” to fleeing Germany for Amsterdam, Anne’s pre-Annex life is sketched. Narrating in the first person, the cartoon Anne explains that Nazis “didn’t like those of us who were Jewish or other groups who were different from them.” Hitler is presented as a leader “who blamed the Jews for all of Germany’s problems, even though we hadn’t done anything wrong.” Then in short order Anne receives her diary as a birthday present, the family goes into hiding, and Anne finds solace in the attic looking at the chestnut tree and writing. Effectively, Annex scenes are squeezed between broad black borders. Illustrations present four snippets of quotes from her diary, including “I still believe, in spite of everything, that people are truly good at heart.” Narrator Anne says, “You can always find light in the darkest places. That’s what hope is,” as she clutches the diary with Shabbat candles on one side and a menorah burning brightly on the other. In the next double-page spread, an international array of modern-day visitors standing outside the Anne Frank House briefly, in speech bubbles, wraps up the story of the Holocaust, the diary, the Annex, and the chestnut tree. Anne’s wretched death in a concentration camp is mentioned only in a concluding timeline. I Am Benjamin Franklin publishes simultaneously. (This book was reviewed digitally with 7.5-by-15-inch double-page spreads viewed at actual size.)
A sanitized version of a too-short life. (photos, sources, further reading) (Picture book/biography. 4-8)Pub Date: Oct. 13, 2020
ISBN: 978-0-525-55594-0
Page Count: 40
Publisher: Dial Books
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
A lovely 20th-anniversary tribute to the towers and all who perished—and survived.
A remarkable tree stands where the twin towers of the World Trade Center once soared.
Through simple, tender text, readers learn the life-affirming story of a Callery pear tree that grew and today still flourishes “at the foot of the towers.” The author eloquently describes the pre-9/11 life of the “Survivor Tree” and its heartening, nearly decadelong journey to renewal following its recovery from the wreckage of the towers’ destruction. By tracking the tree’s journey through the natural cycle of seasonal changes and colors after it was found beneath “the blackened remains,” she tells how, after replanting and with loving care (at a nursery in the Bronx), the tree managed miraculously to flourish again. Retransplanted at the Sept. 11 memorial, it valiantly stands today, a symbol of new life and resilience. Hazy, delicate watercolor-and–colored pencil artwork powerfully traces the tree’s existence before and after the towers’ collapse; early pages include several snapshotlike insets capturing people enjoying the outdoors through the seasons. Scenes depicting the towers’ ruins are aptly somber yet hopeful, as they show the crushed tree still defiantly alive. The vivid changes that new seasons introduce are lovingly presented, reminding readers that life unceasingly renews itself. Many paintings are cast in a rosy glow, symbolizing that even the worst disasters can bring forth hope. People depicted are racially diverse. Backmatter material includes additional facts about the tree.
A lovely 20th-anniversary tribute to the towers and all who perished—and survived. (author's note, artist's note) (Informational picture book. 5-8)Pub Date: Aug. 31, 2021
ISBN: 978-0-316-48767-2
Page Count: 48
Publisher: Little, Brown
Review Posted Online: June 1, 2021
Kirkus Reviews Issue: June 15, 2021
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