Packed with warped logic, twisted common sense and silly hijinks—offbeat fun.
Fourth-grade girl superhero Jo Schmo faces three revenge-hungry villains.
While Jo masters new techniques—the Tasmanian Chop and invisibility (useful for sneaking into movies, not so useful for avoiding being sat on by fat people)—Dr. Dastardly and Numb Skull bond in prison over their mutual hatred of her. Their jailbreak uses exploding macaroni and a giant slingshot made from underwear elastic. Meanwhile, a crew of time-traveling pirates led by Pinkbeard (he was Blackbeard until he drank too much pink lemonade) travels to the future to see if modern times offer more money, better-tasting grog and cuter women. They find it all at a wine tasting/fashion show before being trounced by Jo. Pinkbeard, the only pirate to escape, encounters Dr. Dastardly and Numb Skull as they plot revenge on Jo and joins them. After Googling Jo Schmo’s vulnerabilities (three boys she has crushes on and her dog, Raymond), the terrible trio abduct the boys and Raymond in a plot that includes “an enormous piece of bacon dancing in the moonlight.” Sometimes, especially early on, chattiness and repetition threaten to bog things down, but the lively action and illustrations propel the story forward to a drool-filled fight on a pirate ship.
Packed with warped logic, twisted common sense and silly hijinks—offbeat fun. (Adventure. 6-9)Pub Date: Dec. 3, 2013
ISBN: 978-0-547-80797-3
Page Count: 128
Publisher: Harcourt
Review Posted Online: Oct. 1, 2013
Kirkus Reviews Issue: Oct. 15, 2013
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly...
Unusually brisk special effects animate this relatively less satiric but equally amusing adaptation of the classic tale.
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly delivers a Bronx cheer and then whirls away on a long series of misadventures. These culminate in a final change into a flesh-and-blood boy with help from a fingertip “paintbrush.” Quick and responsive touch- or tilt-activated features range from controllable marionettes, Pinocchio’s tattletale nose and Fire-Eater’s explosive sneeze to a movable candle that illuminates both Geppetto in the fish’s dark belly and the accompanying block of text. Even the thumbnail page images of the index (which opens any time with a shake of the tablet) tumble about, somehow without falling out of order. Though transitions are almost nonexistent in the episodic plot, the text is both substantial enough to have a definite presence and artfully placed in and around Conversi’s brightly colored settings and toylike figures. Text is available in English or Italian with a clear, understated optional audio narration backed by unobtrusive music. A link on the credits page leads to downloadable coloring sheets on the producer’s website.Pub Date: March 17, 2011
ISBN: N/A
Page Count: -
Publisher: Elastico srl
Review Posted Online: July 20, 2011
Kirkus Reviews Issue: Aug. 15, 2011
BOOK REVIEW
BOOK REVIEW
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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