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THE DELIVERY

A pungent, timely thriller that will leave readers thinking.

Is the rapid acceleration of technology a blessing or a curse?

The current uncertainty and anxiety surrounding AI make Hurwitz’s taut thriller particularly timely. Mark and Rebecca Higgins have somewhat reluctantly accepted delivery of a big, boxy humanoid AI companion, which they’re convinced will improve their lives in Los Angeles. The creepy, lightning-fast narrative bounces back and forth between the run-up to this questionable acquisition, initiated nine months ago, and their ongoing experience with the device. The former plays out like a seduction, with the initial pitch from Mark’s boss—wouldn’t you love “something that knows everything about you, everything you want, and could get it for you? While staying totally under your control?”—playing out against the couple’s realization that their comfy middle-class lives, which include young daughter Maddy and bunny Bao-Bao, have become dull and difficult. They spend a small fortune to purchase N0RM LLC, which, at Maddy’s suggestion, they name Mr. Man. Readers of Hurwitz’s long-running Orphan X series will find all the punchy prose, short chapters, terse dialogue, and single-word and -sentence paragraphs they’ve been led to expect. This time, form echoes content, with Mr. Man’s progressive takeover of the lives of the Higgins family accelerating out of Rebecca and Mark’s control. What might have been a straightforward tech horror story is complicated by Mr. Man’s genuine helpfulness. At the same time, there are weird problems with the neighbors, Maddy acts up at school, and things spiral from there.

A pungent, timely thriller that will leave readers thinking.

Pub Date: May 19, 2026

ISBN: 9781662539343

Page Count: 256

Publisher: Thomas & Mercer

Review Posted Online: Feb. 16, 2026

Kirkus Reviews Issue: March 15, 2026

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OPERATION BOUNCE HOUSE

A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.

When a bunch of corporate assholes mark their planet for destruction, a garage band of colonists must defend their home world with the power of rock.

Slightly sidestepping his frenetic litRPG—literary role-playing game—doorstoppers, here Dinniman takes on capitalism, propaganda, xenophobia, and violence as entertainment. Thankfully for readers, it’s all wrapped in the usual profane, adolescent humor, and SF readers will have a ball. A couple of hundred years after they left Earth, the inhabitants of the interstellar colony of New Sonora weren’t expecting much in the way of new threats, especially after a mysterious illness killed almost everyone between the ages of 30 and 60. That disaster left only the young and the old on the populated planet, where farming is enabled by highly accelerated AI and people are generally cool with each other. But when drummer Oliver Lewis stumbles across a foul-mouthed killer mech piloted by a child, he realizes that something’s definitely fishy. Earth, it seems, has classified the New Sonorans as non-human and scheduled their destruction as a paid, five-day combat game. Apex Industries, led by lead mercenary Eli Opel, has reverse-engineered Ender’s Game and is turning loose its players with real bullets and bombs on the population of New Sonora. The resistance is a weird bunch, led by proto-slacker Oliver; his little sister, Lulu; and his ex-girlfriend, documentary filmmaker and burgeoning revolutionary Rosita Zapatero, as well as the other members of Oliver’s band, the Rhythm Mafia. Thankfully, they also have Roger, the last functioning AI on the planet, though Oliver’s grandfather permanently programmed it to nannybot mode as a dying joke. Call the book overlong—the battle scenes often feel like watching someone play a videogame—but the humor and the execution are cutting without being mean and there’s almost always a point.

A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.

Pub Date: Feb. 10, 2026

ISBN: 9780593820308

Page Count: 448

Publisher: Ace/Berkley

Review Posted Online: Dec. 12, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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