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BLUE SUNRISE

An often impressive debut of an author in deft control of a mind- and galaxy-spanning SF premise.

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In Overman’s SF series starter, the crew of a nascent Mars colony and a lunar pilot struggling with addiction play key roles in a crisis as a fleet of alien ships approaches Earth.

This outer-space epic is set on multiple stages in the year 2061. A Louisianan named Ben Allspot employs his formidable skills as a pilot, doing a job on Earth’s moon to send money back to his estranged family, but everything he does is tainted by his all-consuming addiction to Carbodine—an insidious performance-enhancing narcotic that escapes routine drug testing. The drug is particularly plentiful in the ramshackle corporate complex where he works. On Mars, eight pioneering astronauts arrive on a three-year NASA mission to establish a colonial beachhead. Virtually from the start, an accident tests their problem-solving skills and depletes their resources, forcing them to search for frozen water sources. This, in turn, leads to the discovery of ancient Martian organisms, a scientific milestone that, on Earth, triggers the wrath of a Houston-based fundamentalist Christian church. Meanwhile, deep in the cosmos, a sentient race of “Trees” (creatures that become rooted during a plantlike phase) has risen to staggering intellectual and technological heights. They’ve also become enslaved by weasel-like mammals called the Koombar. When the latter had nearly destroyed themselves with greed, belligerence, and shortsightedness, the merciful Trees violated their noninterference policy to rescue them, but the Koombar betrayed them. Meanwhile, four black, cylindrical, faster-than-light machines have been detected beyond the orbit of Pluto, headed toward Earth.

As all the pieces come together, the pages turn faster. Overman’s keen prose shows a gift for plainspoken but effective description that renders a number of hard–SF concepts into lay terms with plenty of wow factor: “This room was probably once filled with ice. Over time, the ice has sublimed…but it is an uneven process. Small air currents and pockets of dissolved gases and other things would have caused the ice to evaporate faster in some areas than in others. These things sculpted the surface, resulting in what we see now.” At another point, the story addresses the difficulties of working with antimatter. He also succeeds in getting into the heads (and, in the case of the alien space probes, the automated programming) of distinctly different life forms and cultures; the Trees and the Koombar argue their points of view most effectively. That said, the human characters, such as the troubled Allspot, tend to be better developed when they hail from places close to the author’s Mississippi Delta origins; the female characters, in particular, are largely a two-dimensional bunch. Overall, the book is reminiscent of a cinematic space epic by James Cameron or Roland Emmerich in which one gets carried away by the staggering adventure, wonder, and danger of it all—only to realize later how little of it felt fresh and new. Still, the sequel promised by this novel’s ending will be eagerly awaited by readers after they complete this star trek. An often impressive debut of an author in deft control of a mind- and galaxy-spanning SF premise.

Pub Date: June 6, 2011

ISBN: 9780984589043

Page Count: 452

Publisher: FutureWord Publishing

Review Posted Online: Dec. 21, 2022

Kirkus Reviews Issue: Feb. 1, 2023

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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SCION

Buckle up—fans of page-turning SF may find themselves binge-reading this novel in one butt-numbing marathon session.

Like a truck with no brakes speeding down a steep mountain road, Islington’s latest is an adrenaline-fueled SF thrill ride that follows a biomechanically enhanced assassin as he tries to understand his mysterious origins.

The chaotic opening scene gives readers a clear indication of what they’re in for: Contract killer Azure, attempting to complete a mission, is involved in a life-or-death battle with a multieyed biomachine called an Argos. “The thing’s bipedal but has six gorilla-like arms that end in half-metre-long claws,” he complains. After Azure barely dispatches the monster and kills his target, his AI assistant, Atti, informs him of his next job: protecting an elderly—and incredibly rich—woman living in a sprawling underground bunker in the middle of nowhere. “Old Woman,” as Azure calls her, isn’t forthcoming with personal details; all Azure can suss out is that she may be the target of a powerful organized crime syndicate—the same organization that employs him! Is Azure’s ultimate goal to save her or kill her? Although the worldbuilding could’ve been more comprehensive, Islington’s editing choices are brilliant—he strips away the insignificant narrative content to create a streamlined, action-packed adventure with seemingly one goal: to keep the reader furiously turning pages. The various mysteries—Azure’s murky beginnings, the tragic death of his best friend years earlier, Old Woman’s true identity, etc.—maintain the momentum and intensity. The takeaway here is the narrative potential of the characters as well as the plethora of subjects that could be explored more deeply, like immortality for the rich, cloning, and the potential to create bioengineered nightmares for “security.” Islington leaves the conclusion tantalizingly ambiguous. This novel could be the jumping-off point for a memorable series.

Buckle up—fans of page-turning SF may find themselves binge-reading this novel in one butt-numbing marathon session.

Pub Date: Sept. 1, 2026

ISBN: 9781668239247

Page Count: 240

Publisher: Saga/Simon & Schuster

Review Posted Online: Aug. 3, 2026

Kirkus Reviews Issue: Sept. 1, 2026

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