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BLUE SUNSET

BOOK 2

Solid SF followup in an exceptionally ambitious, insightful and peril-filled First Contact saga.

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In Overman’s SF novel, a group of resourceful astronauts on Mars struggles to survive in the aftermath of an attempted genocidal attack on Earth.

In the latter part of the 21st century, a breakthrough NASA Mars mission, staffed with scientific geniuses, negotiated danger after danger while discovering ancient water deposits on the red planet, making life there (past and present) theoretically possible. But there was much more: Coincidentally, Earth transmissions had been received in deep space by the Koombar, a congenitally treacherous and selfish civilization of rat-like humanoids who became a galactic superpower by enslaving (and killing most of) the Trees, a semi-sessile plantlike race whose longevity and empathy made them too altruistic and kind to survive. Now the Koombar, on a planet ironically called Harmony, use Tree technology (faster-than-light antimatter missiles, mostly) to summarily annihilate any evolving, distant planet that might represent a threat to Koombar supremacy. The murderous campaign was carried out in the ancient days of the solar system…not against Earth, but Mars, where insect-like, subterranean hive-minds mastered survival in the harsh environment. Now, the NASA human expedition has reawakened the very last of the Martian natives. Meanwhile, on Harmony, reeling from the failure of their attack, one particularly rebellious Tree hatches a suicidal plan to reach out and enlist the humans in opposing the renewed Koombar malice. The stalwart NASA team, dealing with riddles and enigmas posed by being caught among three different alien cultures, have an additional challenge: On a shaken Earth, a xenophobic and superstitious fundamentalist church gains political power in America, and its dogma assures they will be no friends to Martians.

Overman ably continues his SF series (begun with Blue Sunrise, 2011), though this installment is a little skimpier on the Koombar/Tree backstory. He tells the multi-tiered yarn from a variety of different vantages, including those of aliens (and machine intelligences) with limited or skewed sensory input with which to understand or trust each other. A plethora of pop-SF genre references surface to provide a little bit of relatability for readers less enamored by the hard-science engineering, mathematics, physics, chemistry, and biology that Overman insinuates into the narrative’s considerable twists, turns and whorls. The plot grows more extreme and audacious in the last act, but the resolution is still a satisfying one, pointing to further installments. Throughout, his Mars-based human ensemble rises to meet the most formidable crises with courage, brilliance, imagination, and creativity. As the team leader, Commander Ki Thon, says, “We were chosen out of all the billions of humanity because we have what it takes to make things work even in the places where anyone else would give up and die. We are the best they had, and now, due to our transition, we are tougher and smarter than ever.” There is also an endorsement of Buddhism, contrasted with a portrayal of Old Testament Christianity backward and cruel enough to make tree huggers of anyone.

Solid SF followup in an exceptionally ambitious, insightful and peril-filled First Contact saga.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Manuscript

Review Posted Online: Aug. 30, 2023

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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OPERATION BOUNCE HOUSE

A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.

When a bunch of corporate assholes mark their planet for destruction, a garage band of colonists must defend their home world with the power of rock.

Slightly sidestepping his frenetic litRPG—literary role-playing game—doorstoppers, here Dinniman takes on capitalism, propaganda, xenophobia, and violence as entertainment. Thankfully for readers, it’s all wrapped in the usual profane, adolescent humor, and SF readers will have a ball. A couple of hundred years after they left Earth, the inhabitants of the interstellar colony of New Sonora weren’t expecting much in the way of new threats, especially after a mysterious illness killed almost everyone between the ages of 30 and 60. That disaster left only the young and the old on the populated planet, where farming is enabled by highly accelerated AI and people are generally cool with each other. But when drummer Oliver Lewis stumbles across a foul-mouthed killer mech piloted by a child, he realizes that something’s definitely fishy. Earth, it seems, has classified the New Sonorans as non-human and scheduled their destruction as a paid, five-day combat game. Apex Industries, led by lead mercenary Eli Opel, has reverse-engineered Ender’s Game and is turning loose its players with real bullets and bombs on the population of New Sonora. The resistance is a weird bunch, led by proto-slacker Oliver; his little sister, Lulu; and his ex-girlfriend, documentary filmmaker and burgeoning revolutionary Rosita Zapatero, as well as the other members of Oliver’s band, the Rhythm Mafia. Thankfully, they also have Roger, the last functioning AI on the planet, though Oliver’s grandfather permanently programmed it to nannybot mode as a dying joke. Call the book overlong—the battle scenes often feel like watching someone play a videogame—but the humor and the execution are cutting without being mean and there’s almost always a point.

A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.

Pub Date: Feb. 10, 2026

ISBN: 9780593820308

Page Count: 448

Publisher: Ace/Berkley

Review Posted Online: Dec. 12, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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