Verne-ian fantasy and reversal of fortune à la Dickens will lure readers into this good-vs.-evil series debut.

ALISTAIR GRIM'S ODDITORIUM

From the Odditorium series , Vol. 1

Victorian-era adventure with a supernatural stock of magical and mythical players.

Grubb (“no first or last name”) was a doorstep drop-off adopted by Mr. and Mrs. Smears. With the death of compassionate Mrs. Smears, he is left in the care of Mr. Smears, a brutish chimney sweep. Grubb is forced to sweep chimneys for no pay while nasty Mr. Smears broods over beer. After a mishap involving soot and a horrid hotelier, Grubb hides in the trunk of a parting guest to avoid a beating. The guest is Alistair Grim, and when Grubb exits the trunk, he is in the titular Odditorium, a collective of “Odditoria” (among them a talking watch and a trickster banshee). Grubb is invited to work for Grim under the proviso that he won’t reveal magical secrets, but when he unwittingly breaks that cardinal rule, he attracts Grim’s nemesis. Battles, kidnapping and sorcery ensue. The series opener’s Anglophile charm is occasionally muddied with an abundance of character introductions. To navigate this bevy of names and species, there is a character list and glossary. Black-and-white illustrations somewhere between daguerreotype and manga supplement the vivid textual imagery. Grubb’s cheat-to-the-audience moments at either end of the story are frustrating, if widely spaced (“My apologies, but I’m afraid you’ll have to take my word”).

Verne-ian fantasy and reversal of fortune à la Dickens will lure readers into this good-vs.-evil series debut. (Fantasy. 10-13)

Pub Date: Jan. 6, 2015

ISBN: 978-1-4847-0006-8

Page Count: 432

Publisher: Disney-Hyperion

Review Posted Online: Oct. 1, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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Gripping and pretty dark—but, in the end, food, family, friendship, and straight facts win out over guile, greed, and terror.

THE ICKABOG

Rowling buffs up a tale she told her own children about a small, idyllic kingdom nearly destroyed by corrupt officials.

In the peaceful land of Cornucopia, the Ickabog has always been regarded as a legendary menace until two devious nobles play so successfully on the fears of naïve King Fred the Fearless that the once-prosperous land is devastated by ruinous taxes supposedly spent on defense while protesters are suppressed and the populace is terrorized by nighttime rampages. Pastry chef Bertha Beamish organizes a breakout from the local dungeon just as her son, Bert, and his friend Daisy Dovetail arrive…with the last Ickabog, who turns out to be real after all. Along with full plates of just deserts for both heroes and villains, the story then dishes up a metaphorical lagniappe in which the monster reveals the origins of the human race. The author frames her story as a set of ruminations on how evil can grow and people can come to believe unfounded lies. She embeds these themes in an engrossing, tightly written adventure centered on a stomach-wrenching reign of terror. The story features color illustrations by U.S. and Canadian children selected through an online contest. Most characters are cued as White in the text; a few illustrations include diverse representation.

Gripping and pretty dark—but, in the end, food, family, friendship, and straight facts win out over guile, greed, and terror. (Fantasy. 10-13)

Pub Date: Nov. 10, 2020

ISBN: 978-1-338-73287-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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The rare immigrant chronicle that is as long on hope as it is on heartbreak.

INFINITE COUNTRY

A 15-year-old girl in Colombia, doing time in a remote detention center, orchestrates a jail break and tries to get home.

"People say drugs and alcohol are the greatest and most persuasive narcotics—the elements most likely to ruin a life. They're wrong. It's love." As the U.S. recovers from the repeal of the Deferred Action for Childhood Arrivals program, from the misery of separations on the border, from both the idea and the reality of a wall around the United States, Engel's vital story of a divided Colombian family is a book we need to read. Weaving Andean myth and natural symbolism into her narrative—condors signify mating for life, jaguars revenge; the embattled Colombians are "a singed species of birds without feathers who can still fly"; children born in one country and raised in another are "repotted flowers, creatures forced to live in the wrong habitat"—she follows Talia, the youngest child, on a complex journey. Having committed a violent crime not long before she was scheduled to leave her father in Bogotá to join her mother and siblings in New Jersey, she winds up in a horrible Catholic juvie from which she must escape in order to make her plane. Hence the book's wonderful first sentence: "It was her idea to tie up the nun." Talia's cross-country journey is interwoven with the story of her parents' early romance, their migration to the United States, her father's deportation, her grandmother's death, the struggle to reunite. In the latter third of the book, surprising narrative shifts are made to include the voices of Talia's siblings, raised in the U.S. This provides interesting new perspectives, but it is a little awkward to break the fourth wall so late in the book. Attention, TV and movie people: This story is made for the screen.

The rare immigrant chronicle that is as long on hope as it is on heartbreak.

Pub Date: March 2, 2021

ISBN: 978-1-982159-46-7

Page Count: 208

Publisher: Avid Reader Press

Review Posted Online: Dec. 15, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.

CAPTAIN UNDERPANTS AND THE TERRIFYING RETURN OF TIPPY TINKLETROUSERS

From the Captain Underpants series , Vol. 9

Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.

Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)

Pub Date: Aug. 28, 2012

ISBN: 978-0-545-17534-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: June 20, 2012

Kirkus Reviews Issue: July 15, 2012

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