by Gregory Maguire ‧ RELEASE DATE: March 1, 1994
Alice, 12, withdrawn and inarticulate because she's quite deaf, lives in a Catholic orphanage in Troy, N.Y. Unbeknownst to Alice, her truculent twin, Miami, lives across the river in Albany as one of the Shaws' four adopted children. After the girls' similarity causes confusion at a camp where her stay happens to follow Miami's, Alice discovers Miami's existence and seeks her out. Maguire, author of several fantasies, comes into his own with this evocative novel of the late 60's, set in the milieu where he grew up. There's some near-melodramatic suspense (e.g., a fire), but best here are the many characters, all realized in convincing, unique detail—the nuns a rich broth of competence and imperfection, of narrow-mindedness and wisdom; the Shaws, generous but not inexhaustible, strained by the imminent addition of their first biological child to a biracial adoptive family that includes infant twins. When Alice and Miami discover each other, at first everyone is dismayed. The Shaws can't adopt Alice; still, the plans the adults make for the newfound sisters are compassionate as well as businesslike. Even so, the girls, feeling a strong affinity, contrive independently to meet. Following various points of view, the author enriches his third- person narrative with minutiae of the devout Catholicism that suffuses every aspect of his characters' lives, with fresh, vivid (if occasionally overblown) descriptions, and—while centering on the children—with incisive vignettes of the adults and their concerns. Poignant yet bracingly unsentimental, a novel with the clear ring of authenticity. (Fiction. 10-14)
Pub Date: March 1, 1994
ISBN: 0-689-50590-6
Page Count: 160
Publisher: McElderry
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1994
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by Gregory Maguire ; illustrated by David Litchfield
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by Richard Peck ‧ RELEASE DATE: Oct. 1, 2000
Year-round fun.
Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”
This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”
Year-round fun. (Fiction. 11-13)Pub Date: Oct. 1, 2000
ISBN: 978-0-8037-2518-8
Page Count: 144
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2000
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by Richard Peck ; illustrated by Kelly Murphy
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by Andrew Clements & illustrated by Brian Selznick ‧ RELEASE DATE: June 1, 2001
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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