Is a neat ending possible? Not likely. There’s even room in this deliciously fun novel for a trap-door sequel. Stay tuned.
Maguire, reimaginer of Oz, completes his series The Wicked Years, which bowed in with the exuberantly zeitgeisty Wicked (1995), with this pensive but action-filled capstone.
The truest gauge of whether a fantasy series is any good, apart from the ordinary tests of writing and storytelling, is whether the world the writer imagines is complete—and whether it’s interesting enough for a reader to be bothered to go there. In the made-up–world department, Maguire is a signal success, and a captivating storyteller to boot. This concluding volume finds Dorothy Gale back in Kansas—for a time, anyway, for 16-year-old Dorothy isn’t so keen on following Aunt Em’s dictum, “We aren’t going to live forever, and you must learn to manage in the real world.” Better flying monkeys than Topeka, one supposes. Up in Oz (or down, or sideways; the directions to the place are provisional, depending on which path the twister takes), the lines of genealogy and elective affinity alike are beginning to tauten as it’s revealed just whose blood the Emperor shares. Some of his kin, however, are hanging out with Glinda and her kind. Even after fate has made done with the unpleasant witchy-poos of east and west, things aren’t all skittles and beer up in the Emerald City. Indeed, as one short fellow remarks, “The Munchkinlanders discovered that liberation from sniffy Nessarose didn’t provoke them into wanting a return to domination by the EC. Can you blame them?” Can you indeed? While the Lollipop Guild is busy transforming itself into a cadre of freedom fighters, the rest of the Emerald City girds up for war within and war without, for there’s nothing that the Emperor likes more than a good dust-up. All is chaos, swerve and swirl: the once cowardly lion now has moments where he sounds like Sean Connery, people fire up cigarettes and mount grim battles of resistance and Maguire pays subtle homage to Tolkien and Rowling and even Frank Baum while having a grand old time in the fantastically complicated world he has crafted.
Is a neat ending possible? Not likely. There’s even room in this deliciously fun novel for a trap-door sequel. Stay tuned.Pub Date: Nov. 1, 2011
ISBN: 978-0-06-054894-0
Page Count: 576
Publisher: Morrow/HarperCollins
Review Posted Online: Oct. 18, 2011
Kirkus Reviews Issue: Nov. 1, 2011
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
At Buckkeep in the Six Duchies, young Fitz, the bastard son of Prince Chivalry, is raised as a stablehand by old warrior Burrich. But when Chivalry dies without legitimate issue—murdered, it's rumored—Fitz, at the orders of King Shrewd, is brought into the palace and trained in the knightly and courtly arts. Meanwhile, secretly at night, he receives instruction from another bastard, Chade, in the assassin's craft. Now, King Shrewd's subjects are imperiled by the visits of the Red-Ship Raiders—formidable warriors who pillage the seacoasts and turn their human victims into vicious, destructive zombies. Since rehabilitating the zombies proves impossible, it's Fitz's task to go abroad covertly and kill them as quickly and humanely as possible. Shrewd orders that Fitz be taught the Skill—mental powers of telepathy and coercion possessed by all those of the royal line; his teacher is Galen, a sadistic ally of the popinjay Prince Regal, who hates Fitz all the more for his loyalty to Shrewd's other son, the stalwart soldier Verity. Galen brutalizes Fitz and, unknown to anyone, implants a mental block that prevents Fitz from using the Skill. Later, Shrewd decrees that, to cement an alliance, Verity shall wed the Princess Kettricken, heir to a remote yet rich mountain kingdom. Verity, occupied with Skillfully keeping the Red-Ship Raiders at bay, can't go to collect his bride, so Regal and Fitz are sent. Finally, Fitz must discover the depths of Regal's perfidy, recapture his true Skill, win Kettricken's heart for Verity, and help Verity defeat the Raiders. An intriguing, controlled, and remarkably assured debut, at once satisfyingly self-contained yet leaving plenty of scope for future extensions and embellishments.
Pub Date: April 17, 1995
ISBN: 0-553-37445-1
Page Count: 368
Publisher: Spectra/Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
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