Much good, little bad, no ugly.
An entertaining miscellany by journalist, rock critic, and cultural historian Marcus (Dead Elvis, 1991, etc.).
Marcus claims that Elvis Presley and Bill Clinton co-exist “in the common imagination as blessed, tawdry actors in a pretentious musical comedy cum dinner-theater Greek tragedy.” Occasionally Marcus revisits this theme in his motley collection of previously published (but here revised) columns and essays—but more frequently the President and the King exist only as ghostly presences amid Marcus’s ruminations on subjects as varied as the autobiography of Marianne Faithfull, an important new album by Bob Dylan (“a singer who . . . can still beat the clock”), and “Real Love” (the “latest pseudo-Beatles single,” produced by adding the voices of Paul, Ringo, and George to a recording of long-gone John). A number of these pieces are eloquent eulogies for various cultural icons—Allen Ginsberg, Kurt Cobain, Berkeley Free Speecher Mario Savio, actor J.T. Walsh, et al. Others are the latest of the author’s continuing attempts to figure out Elvis, “America’s secret angel; America’s secret demon.” Among the best of all is a keynote address Marcus delivered in 1998 at an Elvis conference. Beginning with an analysis of the pervasiveness of “Elvis jokes,” the piece moves into a provocative discussion of Presley and Clinton (“one man who could, and one man who can, charm you almost to death”). Also fascinating is his review of Pleasantville, which he describes as the flip-side of the popular body-snatcher films: “The aliens come to make the pod people human.” In a number of his essays Marcus rails against the Republicans who, in his view, refused to accept the legitimacy of Clinton’s elections, and he accepts as “perfectly factual” Hillary Clinton’s statement about the right-wing conspiracy to bring down her husband. Not surprisingly, then, he sees in the Right a pernicious political snobbery, a belief that “some people belong [in this country], and some people don’t.”
Much good, little bad, no ugly.Pub Date: Sept. 21, 2000
ISBN: 0-8050-6513-X
Page Count: 248
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2000
An altogether charming and, yes, delightful book.
A collection of affirmations, noncloying and often provocative, about the things that make justice worth fighting for and life worth living.
Gay—a poet whose last book, the winner of the National Book Critics Circle Award, bears the semantically aligned title Catalog of Unabashed Gratitude (2015)—is fully aware that all is not well in the world: “Racism is often on my mind,” he writes by way of example. But then, he adds, so are pop music, books, gardening, and simple acts of kindness, all of which simple pleasures he chronicles in the “essayettes” that make up this engaging book. There is much to take delight in, beginning with the miraculous accident of birth, his parents, he writes, a “black man, white woman, the year of Loving v. Virginia, on a stolen island in the Pacific, a staging ground for American expansion and domination.” As that brief passage makes clear, this is not a saccharine kind of delight-making but instead an exercise in extracting the good from the difficult and ugly. Sometimes this is a touch obvious: There’s delight of a kind to be found in the odd beauty of a praying mantis, but perhaps not when the mantis “is holding in its spiky mitts a large dragonfly, which buzzed and sputtered, its big translucent wings gleaming as the mantis ate its head.” Ah, well, the big ones sometimes eat the little ones, and sometimes we’re left with holes in our heads, an idiom that Gay finds interesting if also sad: “that usage of the simile implies that a hole in the head, administered by oneself, might be a reasonable response.” No, the reasonable response is, as Gay variously enumerates, to resist, enjoy such miracles as we can, revel in oddities such as the “onomatopoeicness of jenky,” eat a pawpaw whenever the chance to do so arises, water our gardens, and even throw up an enthusiastic clawed-finger air quote from time to time, just because we can.
An altogether charming and, yes, delightful book.Pub Date: Feb. 12, 2019
ISBN: 978-1-61620-792-2
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 12, 2019
Kirkus Reviews Issue: Feb. 1, 2019
BOOK REVIEW
BOOK REVIEW
A dazzling visual homage to a music icon gone too soon.
A Los Angeles–based photographer pays tribute to a legendary musician with anecdotes and previously unseen images collected from their 25-year collaboration.
St. Nicholas (co-author: Whitney: Tribute to an Icon, 2012, etc.) first met Prince in 1991 at a prearranged photo shoot. “The dance between photographer and subject carried us away into hours of inspired photographs…and the beginning of a friendship that would last a lifetime.” In this book, the author fondly remembers their many professional encounters in the 25 years that followed. Many would be portrait sessions but done on impulse, like those in a burned-out Los Angeles building in 1994 and on the Charles Bridge in Prague in 2007. Both times, the author and Prince came together through serendipity to create playfully expressive images that came to represent the singer’s “unorthodox ability to truly live life in the moment.” Other encounters took place while Prince was performing at Paisley Park, his Minneapolis studio, or at venues in LA, New York, Tokyo, and London. One in particular came about after the 1991 release of Prince’s Diamonds and Pearls album and led to the start of St. Nicholas’ career as a video director. Prince, who nurtured young artists throughout his career, pushed the author to “trust my instincts…expand myself creatively.” What is most striking about even the most intimate of these photographs—even those shot with Mayte Garcia, the fan-turned–backup dancer who became Prince’s wife in 1996—is the brilliantly theatrical quality of the images. As the author observes, the singer was never not the self-conscious artist: “Prince was Prince 24/7.” Nostalgic and reverential, this book—the second St. Nicholas produced with/for Prince—is a celebration of friendship and artistry. Prince fans are sure to appreciate the book, and those interested in art photography will also find the collection highly appealing.
A dazzling visual homage to a music icon gone too soon.Pub Date: Nov. 19, 2019
ISBN: 978-0-06-293923-4
Page Count: 384
Publisher: Amistad/HarperCollins
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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