Enormous fun for Twin Peaks freaks, Rothophiles, Ginsberg groupies and all who like to sit among the pins in a busy bowling...

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THE SHAPE OF THINGS TO COME

PROPHECY AND THE AMERICAN VOICE

Prophets are among us, declares Marcus (Like a Rolling Stone, 2005, etc.): singing and making films, writing novels and poetry. But we rarely listen to them until it’s too late.

The noted cultural critic writes like a human particle accelerator, firing words and ideas at one another at high speed just to see what happens when they collide. It is the norm when reading Marcus to find Philip Roth, some weird rock band from Cleveland, Martin Luther King Jr., Raymond Chandler and Allen Ginsberg jostling each other in the same paragraph, if not sentence. Sometimes the juxtapositions are productive and provocative, sometimes not. Here, the author builds his rhetorical edifice on a framework of three significant speeches: John Winthrop’s “A Modell of Christian Charity” (1630), which contains the famous image of America as a city on a hill; Abraham Lincoln’s second inaugural address (1865), with its invocation of “charity for all”; and King’s “I Have a Dream” (1963), which challenged the nation to “let freedom ring.” Prophets do not so much foretell the future as highlight the discrepancies between political promises and the betrayals of them, Marcus avers. “America,” he writes, “raised itself on the rock of a metaphysically perfect idea, and on that rock it broke into pieces: the nation, not the idea.” This idea works its way like a bright thread through the entire textual fabric. With dazzling, though occasionally stupefying detail, he takes us through the later novels of Philip Roth and the oeuvre of David Lynch (compared to Natty Bumppo and Davy Crockett), pausing along the way for comments on or allusions to Nathaniel Hawthorne, John Dos Passos, Sinclair Lewis, Ross Macdonald, Ronald Reagan, a 1960s Cleveland TV personality named Ghoulardi, John Grisham and on and on.

Enormous fun for Twin Peaks freaks, Rothophiles, Ginsberg groupies and all who like to sit among the pins in a busy bowling alley.

Pub Date: Sept. 5, 2006

ISBN: 0-374-10438-7

Page Count: 336

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 15, 2006

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Dramatic, immersive, and wanting—much like desire itself.

THREE WOMEN

Based on eight years of reporting and thousands of hours of interaction, a journalist chronicles the inner worlds of three women’s erotic desires.

In her dramatic debut about “what longing in America looks like,” Taddeo, who has contributed to Esquire, Elle, and other publications, follows the sex lives of three American women. On the surface, each woman’s story could be a soap opera. There’s Maggie, a teenager engaged in a secret relationship with her high school teacher; Lina, a housewife consumed by a torrid affair with an old flame; and Sloane, a wealthy restaurateur encouraged by her husband to sleep with other people while he watches. Instead of sensationalizing, the author illuminates Maggie’s, Lina’s, and Sloane’s erotic experiences in the context of their human complexities and personal histories, revealing deeper wounds and emotional yearnings. Lina’s infidelity was driven by a decade of her husband’s romantic and sexual refusal despite marriage counseling and Lina's pleading. Sloane’s Fifty Shades of Grey–like lifestyle seems far less exotic when readers learn that she has felt pressured to perform for her husband's pleasure. Taddeo’s coverage is at its most nuanced when she chronicles Maggie’s decision to go to the authorities a few years after her traumatic tryst. Recounting the subsequent trial against Maggie’s abuser, the author honors the triumph of Maggie’s courageous vulnerability as well as the devastating ramifications of her community’s disbelief. Unfortunately, this book on “female desire” conspicuously omits any meaningful discussion of social identities beyond gender and class; only in the epilogue does Taddeo mention race and its impacts on women's experiences with sex and longing. Such oversight brings a palpable white gaze to the narrative. Compounded by the author’s occasionally lackluster prose, the book’s flaws compete with its meaningful contribution to #MeToo–era reporting.

Dramatic, immersive, and wanting—much like desire itself.

Pub Date: July 9, 2019

ISBN: 978-1-4516-4229-2

Page Count: 320

Publisher: Avid Reader Press

Review Posted Online: May 20, 2019

Kirkus Reviews Issue: June 15, 2019

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Not an easy read but an essential one.

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HOW TO BE AN ANTIRACIST

Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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