An impassioned call to action and a vulnerable family portrait of neurodiversity.
A collective portrait of activist Greta Thunberg's family, encompassing not only climate change, but also issues of mental health.
In this moving text, Swedish opera singer Malena Ernman, her husband, Svante Thunberg, and their daughters, Greta and Beata, stitch together vignettes about "burned-out people on a burned out planet.” Before Greta stepped into the public eye with her 2018 strike outside the Swedish Parliament, she had fallen into depression. Ernman details the end of her music career, when Greta refused to eat or speak. Through distilled recollections, she elucidates how autism and selective mutism unfolded in her household, with all its initial hardship, and how Swedish society views spectrum disorders in general. When Greta was finally diagnosed with Asperger’s and OCD, and Beata with ADHD and other conditions, the family found a measure of solace. But they still struggled: “We scream. We kick down doors. We scratch. We pound walls. We wrestle. We cry. We ask for help and we somehow endure.” The narrative delivers a potent, challenging, and heartening portrayal of a family's struggle to hold it all together. The text is more problematic when it conflates environmental issues—such as sustainability and the climate crisis—with mental health problems, positing that society’s prioritization of economy over ecology has led to increasing isolation and desperation. While provocative, the argument feels grounded in simplified conviction. Passages about carbon emissions, damage wrought by air travel, the failure of world leaders to take charge, and related issues are unabashedly alarmist and valuable. Because these elements echo Greta's many speeches, they come off as repetitive in the book. The buildup to Greta's strike—and the strike itself—is an inspiring depiction of the teen who has become a leader on the world stage and of the family who supports her behind the scenes. It also represents a courageous triumph over many of her demons.
An impassioned call to action and a vulnerable family portrait of neurodiversity.Pub Date: March 24, 2020
ISBN: 978-0-14-313357-5
Page Count: 288
Publisher: Penguin
Review Posted Online: Feb. 17, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
BOOK REVIEW
When Kaysen was 18, in 1967, she was admitted to McLean Psychiatric Hospital outside Boston, where she would spend the next 18 months. Now, 25 years and two novels (Far Afield, 1990; Asa, As I Knew Him, 1987) later, she has come to terms with the experience- -as detailed in this searing account. First there was the suicide attempt, a halfhearted one because Kaysen made a phone call before popping the 50 aspirin, leaving enough time to pump out her stomach. The next year it was McLean, which she entered after one session with a bullying doctor, a total stranger. Still, she signed herself in: ``Reality was getting too dense...all my integrity seemed to lie in saying No.'' In the series of snapshots that follows, Kaysen writes as lucidly about the dark jumble inside her head as she does about the hospital routines, the staff, the patients. Her stay didn't coincide with those of various celebrities (Ray Charles, Sylvia Plath, Robert Lowell), but we are not likely to forget Susan, ``thin and yellow,'' who wrapped everything in sight in toilet paper, or Daisy, whose passions were laxatives and chicken. The staff is equally memorable: ``Our keepers. As for finders—well, we had to be our own finders.'' There was no way the therapists—those dispensers of dope (Thorazine, Stelazine, Mellaril, Librium, Valium)—might improve the patients' conditions: Recovery was in the lap of the gods (``I got better and Daisy didn't and I can't explain why''). When, all these years later, Kaysen reads her diagnosis (``Borderline Personality''), it means nothing when set alongside her descriptions of the ``parallel universe'' of the insane. It's an easy universe to enter, she assures us. We believe her. Every word counts in this brave, funny, moving reconstruction. For Kaysen, writing well has been the best revenge.
Pub Date: June 1, 1993
ISBN: 0-679-42366-4
Page Count: 176
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1993
BOOK REVIEW
BOOK REVIEW
A love story, in other words, bittersweet like all the best.
As much about Everywoman as one particular woman, French author Ernaux's autobiographical novel laconically describes the cruel realities of old age for a woman once vibrant and independent.
The narrator, a middle-aged writer, decides that the only way she can accept her mother's death is to begin "to write about my mother. She is the only woman who really meant something to me and she had been suffering from senile dementia for two years...I would also like to capture the real woman, the woman who existed independently from me, born on the outskirts of a small Normandy town, and who died in the geriatric ward of a hospital in the suburbs of Paris.'' And she proceeds to tell the story of this woman—who "preferred giving to everybody rather than taking from them,'' fiercely ambitious and anxious to better herself and her daughter—for whom she worked long hours in the small café and store the family owned. There are the inevitable differences and disputes as the daughter, better educated, rebels against the mother, but the mother makes "the greatest sacrifice of all, which was to part with me.'' The two women never entirely lose contact, however, as the daughter marries, the father dies, and both women move. Proud and self-sufficient, the mother lives alone, but then she has an accident, develops Alzheimer's, and must move to a hospital. A year after her death, the daughter, still mourning, observes, "I shall never hear the sound of her voice again—the last bond between me and the world I come from has been severed.'' Never sentimental and always restrained: a deeply affecting account of mothers and daughters, youth and age, and dreams and reality.
A love story, in other words, bittersweet like all the best.Pub Date: May 12, 1991
ISBN: 0-941423-51-4
Page Count: 112
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1991
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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