by Greta Thunberg & Svante Thunberg & Malena Ernman & Beata Ernman ‧ RELEASE DATE: March 24, 2020
An impassioned call to action and a vulnerable family portrait of neurodiversity.
A collective portrait of activist Greta Thunberg's family, encompassing not only climate change, but also issues of mental health.
In this moving text, Swedish opera singer Malena Ernman, her husband, Svante Thunberg, and their daughters, Greta and Beata, stitch together vignettes about "burned-out people on a burned out planet.” Before Greta stepped into the public eye with her 2018 strike outside the Swedish Parliament, she had fallen into depression. Ernman details the end of her music career, when Greta refused to eat or speak. Through distilled recollections, she elucidates how autism and selective mutism unfolded in her household, with all its initial hardship, and how Swedish society views spectrum disorders in general. When Greta was finally diagnosed with Asperger’s and OCD, and Beata with ADHD and other conditions, the family found a measure of solace. But they still struggled: “We scream. We kick down doors. We scratch. We pound walls. We wrestle. We cry. We ask for help and we somehow endure.” The narrative delivers a potent, challenging, and heartening portrayal of a family's struggle to hold it all together. The text is more problematic when it conflates environmental issues—such as sustainability and the climate crisis—with mental health problems, positing that society’s prioritization of economy over ecology has led to increasing isolation and desperation. While provocative, the argument feels grounded in simplified conviction. Passages about carbon emissions, damage wrought by air travel, the failure of world leaders to take charge, and related issues are unabashedly alarmist and valuable. Because these elements echo Greta's many speeches, they come off as repetitive in the book. The buildup to Greta's strike—and the strike itself—is an inspiring depiction of the teen who has become a leader on the world stage and of the family who supports her behind the scenes. It also represents a courageous triumph over many of her demons.
An impassioned call to action and a vulnerable family portrait of neurodiversity.Pub Date: March 24, 2020
ISBN: 978-0-14-313357-5
Page Count: 288
Publisher: Penguin
Review Posted Online: Feb. 17, 2020
Kirkus Reviews Issue: March 15, 2020
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by Bill Walton ‧ RELEASE DATE: March 8, 2016
One of the NBA’s 50 greatest players scores another basket—a deeply personal one.
A basketball legend reflects on his life in the game and a life lived in the “nightmare of endlessly repetitive and constant pain, agony, and guilt.”
Walton (Nothing but Net, 1994, etc.) begins this memoir on the floor—literally: “I have been living on the floor for most of the last two and a half years, unable to move.” In 2008, he suffered a catastrophic spinal collapse. “My spine will no longer hold me,” he writes. Thirty-seven orthopedic injuries, stemming from the fact that he had malformed feet, led to an endless string of stress fractures. As he notes, Walton is “the most injured athlete in the history of sports.” Over the years, he had ground his lower extremities “down to dust.” Walton’s memoir is two interwoven stories. The first is about his lifelong love of basketball, the second, his lifelong battle with injuries and pain. He had his first operation when he was 14, for a knee hurt in a basketball game. As he chronicles his distinguished career in the game, from high school to college to the NBA, he punctuates that story with a parallel one that chronicles at each juncture the injuries he suffered and overcame until he could no longer play, eventually turning to a successful broadcasting career (which helped his stuttering problem). Thanks to successful experimental spinal fusion surgery, he’s now pain-free. And then there’s the music he loves, especially the Grateful Dead’s; it accompanies both stories like a soundtrack playing off in the distance. Walton tends to get long-winded at times, but that won’t be news to anyone who watches his broadcasts, and those who have been afflicted with lifelong injuries will find the book uplifting and inspirational. Basketball fans will relish Walton’s acumen and insights into the game as well as his stories about players, coaches (especially John Wooden), and games, all told in Walton’s fervent, witty style.
One of the NBA’s 50 greatest players scores another basket—a deeply personal one.Pub Date: March 8, 2016
ISBN: 978-1-4767-1686-2
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: Dec. 18, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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by Bill Walton with Gene Wojciechowski
by Annie Ernaux ; translated by Tanya Leslie ‧ RELEASE DATE: May 12, 1991
A love story, in other words, bittersweet like all the best.
As much about Everywoman as one particular woman, French author Ernaux's autobiographical novel laconically describes the cruel realities of old age for a woman once vibrant and independent.
The narrator, a middle-aged writer, decides that the only way she can accept her mother's death is to begin "to write about my mother. She is the only woman who really meant something to me and she had been suffering from senile dementia for two years...I would also like to capture the real woman, the woman who existed independently from me, born on the outskirts of a small Normandy town, and who died in the geriatric ward of a hospital in the suburbs of Paris.'' And she proceeds to tell the story of this woman—who "preferred giving to everybody rather than taking from them,'' fiercely ambitious and anxious to better herself and her daughter—for whom she worked long hours in the small café and store the family owned. There are the inevitable differences and disputes as the daughter, better educated, rebels against the mother, but the mother makes "the greatest sacrifice of all, which was to part with me.'' The two women never entirely lose contact, however, as the daughter marries, the father dies, and both women move. Proud and self-sufficient, the mother lives alone, but then she has an accident, develops Alzheimer's, and must move to a hospital. A year after her death, the daughter, still mourning, observes, "I shall never hear the sound of her voice again—the last bond between me and the world I come from has been severed.'' Never sentimental and always restrained: a deeply affecting account of mothers and daughters, youth and age, and dreams and reality.
A love story, in other words, bittersweet like all the best.Pub Date: May 12, 1991
ISBN: 0-941423-51-4
Page Count: 112
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1991
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by Annie Ernaux & Marc Marie ; translated by Alison L. Strayer
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by Annie Ernaux ; translated by Alison L. Strayer
BOOK REVIEW
by Annie Ernaux ; translated by Alison L. Strayer
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