Seemingly alone after the death of her father, Theena bravely faces a frightening world that is often unfriendly to young women just trying to survive in Craig’s historical novel.
The youngest of three girls, Theena (short for Athena) is suddenly adrift when her father passes away. Before his death, he makes Theena promise to marry rich suitor Randolph Chase if asked. Her father knows, even if Theena doesn’t, that 19th-century Florida is not a nurturing place for a woman. Her mother abandoned the family a while ago, and Theena’s father knew his other two daughters (Hera and Dite—the latter short for Aphrodite) wouldn’t wait long to take their leave of the family homestead. Theena does as her father asked, but her heart isn’t in it. She allows herself to believe she’s in love with Randolph because she knows it’s the smart thing to do, but having grown up in South Florida between the Everglades and Atlantic Ocean, she would much rather take her dog fishing than spend the day inside embroidering with a mother-in-law who thinks she’s nothing more than gold-digging trash. The author has a strong, smart heroine in Theena, though she’s not perfect; she doesn’t always make the “right” decision, but her actions make sense for her in the moment, and it’s those decisions that push the story forward. In grief, she shares a night with her best friend, Billy. Against her better judgment, she can’t help being in love with her sister’s husband, Jack. Craig infuses her tale with rich emotion and, by naming the three main characters after Greek goddesses, she’s able to take a shortcut in describing who these women are; Theena is wise and courageous, Hera is jealous by nature and Dite is a cold beauty. This allows the reader to jump right into the plot, and a dizzying plot it is. Some things seem to happen too quickly with the tipping points occurring off the page. For instance, Theena falls into Jack’s bed, even after she swore that she would be faithful to her husband, as well as swearing that she would never hurt her sister that way, leaving the reader confused as to her motivations. However, it’s such a quick, rip-roaring read that these small holes don’t deflate the overall tale. It’s a fun novel filled with rich characters. The backwaters of post-Civil War South Florida could hardly be further apart from ancient Greece, yet Craig infuses her coming-of-age tale with the pathos and heroism one might find in myths, but on an all-too-human scale.
Pub Date: March 1, 2011
ISBN: N/A
Page Count: -
Publisher: Gretchen Craig
Review Posted Online: Feb. 3, 2012
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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