Seemingly alone after the death of her father, Theena bravely faces a frightening world that is often unfriendly to young women just trying to survive in Craig’s historical novel.
The youngest of three girls, Theena (short for Athena) is suddenly adrift when her father passes away. Before his death, he makes Theena promise to marry rich suitor Randolph Chase if asked. Her father knows, even if Theena doesn’t, that 19th-century Florida is not a nurturing place for a woman. Her mother abandoned the family a while ago, and Theena’s father knew his other two daughters (Hera and Dite—the latter short for Aphrodite) wouldn’t wait long to take their leave of the family homestead. Theena does as her father asked, but her heart isn’t in it. She allows herself to believe she’s in love with Randolph because she knows it’s the smart thing to do, but having grown up in South Florida between the Everglades and Atlantic Ocean, she would much rather take her dog fishing than spend the day inside embroidering with a mother-in-law who thinks she’s nothing more than gold-digging trash. The author has a strong, smart heroine in Theena, though she’s not perfect; she doesn’t always make the “right” decision, but her actions make sense for her in the moment, and it’s those decisions that push the story forward. In grief, she shares a night with her best friend, Billy. Against her better judgment, she can’t help being in love with her sister’s husband, Jack. Craig infuses her tale with rich emotion and, by naming the three main characters after Greek goddesses, she’s able to take a shortcut in describing who these women are; Theena is wise and courageous, Hera is jealous by nature and Dite is a cold beauty. This allows the reader to jump right into the plot, and a dizzying plot it is. Some things seem to happen too quickly with the tipping points occurring off the page. For instance, Theena falls into Jack’s bed, even after she swore that she would be faithful to her husband, as well as swearing that she would never hurt her sister that way, leaving the reader confused as to her motivations. However, it’s such a quick, rip-roaring read that these small holes don’t deflate the overall tale. It’s a fun novel filled with rich characters. The backwaters of post-Civil War South Florida could hardly be further apart from ancient Greece, yet Craig infuses her coming-of-age tale with the pathos and heroism one might find in myths, but on an all-too-human scale.
Pub Date: March 1, 2011
ISBN: N/A
Page Count: -
Publisher: Gretchen Craig
Review Posted Online: Feb. 3, 2012
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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