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A MATCH TO THE HEART

ONE WOMAN'S STORY OF BEING STRUCK BY LIGHTNING

An odyssey of recovery by a woman literally struck by lightning. In the summer of 1991, Ehrlich (Islands, The Universe, Home, 1991, etc.) was hit by lightning while out walking with her dogs on the land around her Wyoming ranch. Ehrlich has not written another near-death testimonial but a peripatetic probe into the nature of the healing of the human heart. Suffering from ventricular fibrillation (chaotic heartbeat) and a ``fried'' sympathetic nervous system (which is responsible for stimulating the heart muscle and raising blood pressure), Ehrlich is rescued from bumbling, ineffectual treatment in Wyoming that might have killed her and delivered into the hands of a heart specialist/healer named Blaine in Santa Barbara, Calif. The drama of her shaky recovery is more gripping than the final two-thirds of the book, which meanders from musings about various cultural readings of lightning, the heart, and death to thoughts about the healing power of water over lightning and fire as Ehrlich treks to London, then zigzags back and forth between California and Wyoming, then on to Alaska before finally coming to rest off the Santa Barbara coast after a symbolic dive into the ocean. At times the prose is a pedestrian record of events: retrieving her favorite dog or following cardiologist Blaine on his rounds. At other times, Ehrlich strains to give her experience more depth and insight by interspersing the mundane with, say, Ecuadoran myths about the connection between being struck by lightning and becoming a shaman. Ehrlich may want these myths to be ``enlightening,'' but she is at her best when she writes from her own feelings: ``Lightning had entered me twice and now I was a burnt shell with nothing in me that could attract fire.'' An emotionally compelling, if erratically beating, tale about the transformative power of a brush with death by lightning.

Pub Date: June 6, 1994

ISBN: 0-679-42550-0

Page Count: 224

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1994

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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