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SO WHO IS GOD, ANYWAY?

AN UNORTHODOX THEORY FOR DOUBTERS, SKEPTICS, AND RECOVERING FUNDAMENTALISTS

A well-written and convincing rumination on the divine.

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A nonfiction work that explores core philosophical questions of faith, life, and spirituality.

“The question of whether God exists” is as old as humanity itself, and has been the driving query asked by philosophers for more than two millennia. A self-described philosophical “hobbyist” who’s read and studied the canon of philosophy’s greatest minds for nearly 30 years, Payne approaches the question of God’s existence in a “logical, rational way.” The book begins with an epistemological survey of “What Can Be Known,” ultimately concluding that “we cannot prove God by experience (direct awareness) or science (a form of empiricism).” Subsequent chapters examine what the author calls the “Big Ten” propositions that philosophers, especially Christian apologists, have used to argue God’s existence. These propositions range from Pascal’s wager (whereby one makes a potentially life-threatening gamble in rejecting God’s existence) to the “prevalence of religious experience” among humans throughout history. Payne’s well-informed yet eclectic religious beliefs are what he labels “Panentheist Christian Absurdist Buddhist.” Thus, while he attends Christian church services and “conceptually” finds beauty and meaning in the faith’s rituals, he is attracted to the philosophy of Buddhism, particularly its emphasis on the absurdity of life and its views on suffering. “Panentheism,” the author contends, is a “metaphysic that goes back thousands of years and has presented itself in myriad ways,” particularly its emphasis on a universal spirit that can be found in all things. This panentheistic notion, Payne effectively demonstrates, has long existed within strains of Christianity, Judaism, and Islam, in addition to Eastern spiritualities. Another chapter, “Taking the ‘Fun’ Out of Fundamentalism,” is critical of theologies that are defined by their “exclusionary nature.”

The book also critiques literal interpretations of Scripture, highlighting the similarities between The Epic of Gilgamesh and the biblical book of Genesis, which the author admits “reads a heck of a lot like myth.” A particularly well-crafted chapter on the difficulties of reconciling the existence of God with the prevalence of evil asks probing questions that will force readers to reexamine their definitions of what is “Good.” Backed by a wealth of endnotes that demonstrate a solid command of philosophy, from ancient Greek and medieval Christian thinkers to Enlightenment and postmodern figures, this book is an effective primer on how these sages have historically grappled with the existence of God. “Using the knowledge of the smart guys, but the language of real people,” and coming in under 205 pages, the volume is extraordinarily accessible, given the esoteric nature of its sources. A copywriter and a ghostwriter of dozens of memoirs, Payne is especially skilled at introducing difficult concepts with an engaging, often humorous prose style. A multipage glossary of philosophical jargon complements the book’s successful mission “to not allow ourselves to be intimidated by the big thinkers of history.” While the author expresses his personal opinions in the work, he’s generally fair to philosophers and theologians who have come to differing conclusions, opting to revel in the nuances of spiritual inquiry rather than browbeating readers into accepting his idiosyncratic yet well-argued conclusions. Indeed, the author’s only request of readers is to take a 90-day challenge whereby they become more cognizant of the “larger, universal consciousness” in hopes that their lives will feel “richer, deeper, more connected.” A well-written and convincing rumination on the divine.

Pub Date: May 2, 2024

ISBN: 9798989474905

Page Count: 222

Publisher: Five Boroughs Media & Publishing, LLC

Review Posted Online: March 3, 2024

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THE BACKYARD BIRD CHRONICLES

An ebullient nature lover’s paean to birds.

A charming bird journey with the bestselling author.

In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”

An ebullient nature lover’s paean to birds.

Pub Date: April 23, 2024

ISBN: 9780593536131

Page Count: 320

Publisher: Knopf

Review Posted Online: Jan. 19, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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