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HERMAN AND ROSIE

Sweetly celebrates artistic bonding in the Big Apple.

In bustling New York, anthropomorphic croc Herman and Rosie (a goat?) inhabit parallel lives until they discover they’re soul mates.

They live in tiny apartments in adjacent buildings. Herman plays oboe and sells “things” in a call center—until he’s canned for not selling enough of them. Rosie’s a restaurant dishwasher who takes singing lessons and gigs at a jazz club on Thursdays—until it’s shuttered. In pictures and text, Gordon cleverly foretells the pair’s entwined destiny, engaging readers conspiratorially as Herman and Rosie continually almost connect. Each, hearing the other’s music by chance, is mesmerized for days. Both love “watching films about the ocean” and turn to Cousteau documentaries for solace after their twin career setbacks. Traipsing the city (Gordon provides a map and key for their concurrent rambles), they simultaneously buy hot dogs from the same vendor—without meeting. Finally, Rosie hears “the familiar sounds of a groovy little jazz number” and leaps “to follow that tune.” The penultimate double-page spread shows them meeting—at last!—on Herman’s roof against a luminous full moon. The final page shows they’ve formed a quartet—The Cousteaus. Gordon utilizes vintage postcards, ledgers and maps to create collaged tableaux. Evocative of William Steig and Bernard Waber, the pictures at their best juxtapose New York’s duality: its cacophonous enormity and charming intimacy.

Sweetly celebrates artistic bonding in the Big Apple. (Picture book. 5-8)

Pub Date: Oct. 15, 2013

ISBN: 978-1-59643-856-9

Page Count: 32

Publisher: Neal Porter/Roaring Brook

Review Posted Online: July 30, 2013

Kirkus Reviews Issue: Aug. 15, 2013

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CREEPY PAIR OF UNDERWEAR!

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...

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  • Kirkus Reviews'
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  • New York Times Bestseller

Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.

Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)

Pub Date: Aug. 22, 2017

ISBN: 978-1-4424-0298-0

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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