edited by Gus Russo ; Harry Moses ‧ RELEASE DATE: Nov. 5, 2013
An engrossing, politically charged accompaniment to a TV event commemorating the 50th anniversary of the assassination.
The companion volume to a forthcoming NBC documentary on the Kennedy assassination.
Investigative TV reporter Russo and prime-time producer Moses collaborated on canvassing a wide range of personalities, including politicians, news correspondents, actors, best-selling authors, photojournalists and widowed spouses. Participants were surveyed with key questions on how the Kennedy shooting impacted life personally and nationally with the resulting essays condensed from hourlong personal interviews, then divided into sections on the event’s location (Dallas), its politics, culture, and the ensuing controversy and speculation. A majority of these anecdotes and recollections are moving and powerful and will greatly fortify the televised coverage of this somber anniversary. Newsman Dan Rather writes that Kennedy’s untimely demise made him a more skeptical reporter, yet the president’s legacy as a whole renewed his sense of patriotism and “love of country.” Marie Tippit, widow to a Dallas policeman caught in Lee Harvey Oswald’s crossfire, reflects painfully on her loss, as do political duo Richard and Doris Kearns Goodwin, who jointly reflect on the unkind fate that befell the Kennedy family. With vivid narration, Robert Grossman recounts the sad, grueling hours he’d spent as one of the attending neurosurgeons searching for signs of life inside the president’s slain body. Former U.S. presidents Jimmy Carter and Bill Clinton offer nods to Kennedy’s humanitarian, pro-peace administration, while Pat Buchanan brusquely admits that Kennedy’s presidency was hardly “one of the greats.” Thought-provoking conspiracy theories amplify an already emotionally charged landscape but are soon smoothed over with memories offered by distinguished celebrities Robert DeNiro, Tom Hanks, Jay Leno and Jane Fonda, who fondly refers to the Kennedy clan as being “as close as we’ll ever get to royalty.” The themes of remembrance and appreciation remain constant throughout these pieces—all relevant and compiled with care.
An engrossing, politically charged accompaniment to a TV event commemorating the 50th anniversary of the assassination.Pub Date: Nov. 5, 2013
ISBN: 978-0-7627-9456-0
Page Count: 288
Publisher: Lyons Press
Review Posted Online: Oct. 19, 2013
Kirkus Reviews Issue: Nov. 1, 2013
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More by Eric Dezenhall
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by Gus Russo and Stephen Molton
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Tom Clavin ‧ RELEASE DATE: April 21, 2020
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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by Tom Clavin & Bob Drury
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by Tom Clavin
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by Tom Clavin
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