A funny but uneven take on love at the end of the world.
It’s the end of the world as she knows it, but the Prince of Hell is fine.
Callie, a recent college graduate living back at home with her mother, is admittedly “flailing a bit” at adulthood. With no idea what to do with her history degree, she's helping to run The Great Escape, the family’s successful escape room business. But on Callie's first weekend taking the reins while her mom is away, all hell breaks loose—literally. A satanic cult headed by the blackhearted Solomon Elerion has been drawn to the occult-inspired escape room for a prop book of spells that turns out to be very real, hoping to summon a high-level demon. Their plan? To bargain for the location of The Holy Lance, which they will use to bring about the apocalypse. Luke Morningstar, Prince of Hell, is also finding adulthood harder than he imagined. He has yet to receive his wings and is under strict orders from his father to start harvesting souls for the underworld. When his supervisor, Lucifuge Rofocale, is summoned by Elerion, Luke goes in his stead with grand plans to accomplish this task and get his dad off his back. What he doesn’t plan for is Callie, their immediate attraction, or how much he wants to help her save the world. The author successfully creates a tongue-in-cheek supernatural adventure held up by witty banter and a ragtag team of heroic underdogs, including Callie's nonbinary best friend, the artistic and stylish Mag. But the lackluster instalove romance between a stereotypically bookish heroine and a demon who's supposed to be hot as hellfire but lacks any sinister devilishness, pacing that's off, and ham-fisted pop-culture references drag the novel down.
A funny but uneven take on love at the end of the world.Pub Date: Oct. 5, 2021
ISBN: 978-1-2507-7174-2
Page Count: 320
Publisher: St. Martin's Griffin
Review Posted Online: Aug. 31, 2021
Kirkus Reviews Issue: Sept. 15, 2021
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
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