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DON'T CALL ME BABY

This surprisingly poignant comedy about teen-parent communication has enough bite to pique the interest of any teenager...

Usually it’s a kid’s use of social media that is a problem….

Using the pseudonym Mommylicious, Imogene’s mother is a prolific professional blogger, continually blogging about her unfortunate daughter’s every cute smile and dirty diaper to her large online audience since she was a baby. Now that she is 15, however, “Babylicious” is beginning to resent the fact that every intimate detail of her daily life is subject to public scrutiny. Ragged at by her schoolmates, embarrassed in the boyfriend department and convinced that her mom doesn’t care what she really thinks, the formerly submissive girl rebels. Imogene and her BFF Sage, whose hard-line, vegan health-nut mother is also a blogger, decide that their moms are over-the-top and plot revenge. Inspired by a homework assignment, the girls talk back about their experiences and feelings through their own blogs, causing huge consternation in the mommy world. Imogene wilts under her mother’s disapproval but is backed up by golf-obsessed Grandma Hope, who dispenses wisdom and helps her to stand up for herself. As the witty story unfolds, mommies and daughters learn to give each other some space and that the Internet is no substitute for real-life experience. Heasley delivers her message without compromising frothy fun.

This surprisingly poignant comedy about teen-parent communication has enough bite to pique the interest of any teenager having trouble interacting meaningfully with her parents. (Fiction. 12 & up)

Pub Date: April 22, 2014

ISBN: 978-0-06-220852-1

Page Count: 304

Publisher: HarperTeen

Review Posted Online: Feb. 18, 2014

Kirkus Reviews Issue: March 1, 2014

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BETTER THAN THE MOVIES

From the Better Than the Movies series , Vol. 1

Exactly what the title promises.

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A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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