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ENFANT TERRIBLE

PART III: SHOWSTOPPER

An engrossing rock novel about a complicated antihero.

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Gebien concludes her trilogy about the journey of a washed-up rock star in this novel.

Damen Warner, the frontman for the band OBNXS, is back in his final story about trying to make it as a rock star. Throughout the novel, numerous obstacles are put in Damen’s way: his grandmother’s will, a custody battle, pit bulls, viral videos, and more. He has fallen into a deep alcoholic depression: Damen “looked like ten pounds of shit in a five-pound bag. Thirty years old. Too tall, too thin, too angry, too mean.” Damen’s relationships with his girlfriend, Melody, and her daughter, Vico, are in trouble: Melody’s ex, the “Baby Daddy,” wants custody of their daughter, and Damen ends up in the middle of the conflict. Additionally, Melody is meeting with her former clients from a strip club for extra money, which makes Damen uncomfortable. Then Damen runs into Evangeline, a girl he met on the road, a social media–savvy evangelical Christian willing to help the band with their image—for a fee. She arranges protests against OBNXS to gin up publicity, generating sufficient interest to allow the band to continue working on their album. Though Damen finds it easy to create the image that the internet demands, he drifts further away from who he is as an artist (“As much as I wanted to believe my career was rallying due to the overwhelming magnetism of my musical genius, the truth was most of my notoriety now came from videos of me doing stupid shit on the internet, including such hit singles as “Arrested Naked” (feat. TSA), “That Guy Who Kicked Over A Piano,” and “Strip Club Riot”).

The author is able to evoke raw emotions with a depth of sincerity (and a bit of embarrassment) through her cast of quirky characters. Damen has moments of tenderness with Vico balanced by his characteristic raw, raunchy humor and distinct voice. The narrative is paced well, moving quickly from one episode to the next. Gebien’s vivid descriptions transport readers into each scene and expose Damen’s naked feelings—as he struggles with the urge to drink one night, he leaves Melody in bed and goes to the kitchen, where he sees that “the abandoned chilis still lay on the cutting board like small, shriveled, scorched hearts. [He] knew how they felt.” These moments of revelation help make Damen an empathetic character. The sequences in which the band collaborates and riffs are strengths of the novel, allowing the reader to see more of Damen’s artistic process. Describing the album the band is working to complete, Damen notes that the “range of new sounds we planned to include was a lot wider than any of our previous work, slaloming wildly from hard rock and metal to dark country to absurd pop to achingly earnest to melodic impressionism.” Or, as Mungo Gordon, the band’s producer, sums it up, “chaotic,” a word that could also describe the feel of the novel—though it’s chaotic in a purposeful way, like OBNXS’ music.

An engrossing rock novel about a complicated antihero.

Pub Date: April 25, 2023

ISBN: 9798988160502

Page Count: 436

Publisher: Self

Review Posted Online: June 16, 2023

Kirkus Reviews Issue: Aug. 1, 2023

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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