An engrossing rock novel about a complicated antihero.
Gebien concludes her trilogy about the journey of a washed-up rock star in this novel.
Damen Warner, the frontman for the band OBNXS, is back in his final story about trying to make it as a rock star. Throughout the novel, numerous obstacles are put in Damen’s way: his grandmother’s will, a custody battle, pit bulls, viral videos, and more. He has fallen into a deep alcoholic depression: Damen “looked like ten pounds of shit in a five-pound bag. Thirty years old. Too tall, too thin, too angry, too mean.” Damen’s relationships with his girlfriend, Melody, and her daughter, Vico, are in trouble: Melody’s ex, the “Baby Daddy,” wants custody of their daughter, and Damen ends up in the middle of the conflict. Additionally, Melody is meeting with her former clients from a strip club for extra money, which makes Damen uncomfortable. Then Damen runs into Evangeline, a girl he met on the road, a social media–savvy evangelical Christian willing to help the band with their image—for a fee. She arranges protests against OBNXS to gin up publicity, generating sufficient interest to allow the band to continue working on their album. Though Damen finds it easy to create the image that the internet demands, he drifts further away from who he is as an artist (“As much as I wanted to believe my career was rallying due to the overwhelming magnetism of my musical genius, the truth was most of my notoriety now came from videos of me doing stupid shit on the internet, including such hit singles as “Arrested Naked” (feat. TSA), “That Guy Who Kicked Over A Piano,” and “Strip Club Riot”).
The author is able to evoke raw emotions with a depth of sincerity (and a bit of embarrassment) through her cast of quirky characters. Damen has moments of tenderness with Vico balanced by his characteristic raw, raunchy humor and distinct voice. The narrative is paced well, moving quickly from one episode to the next. Gebien’s vivid descriptions transport readers into each scene and expose Damen’s naked feelings—as he struggles with the urge to drink one night, he leaves Melody in bed and goes to the kitchen, where he sees that “the abandoned chilis still lay on the cutting board like small, shriveled, scorched hearts. [He] knew how they felt.” These moments of revelation help make Damen an empathetic character. The sequences in which the band collaborates and riffs are strengths of the novel, allowing the reader to see more of Damen’s artistic process. Describing the album the band is working to complete, Damen notes that the “range of new sounds we planned to include was a lot wider than any of our previous work, slaloming wildly from hard rock and metal to dark country to absurd pop to achingly earnest to melodic impressionism.” Or, as Mungo Gordon, the band’s producer, sums it up, “chaotic,” a word that could also describe the feel of the novel—though it’s chaotic in a purposeful way, like OBNXS’ music.
An engrossing rock novel about a complicated antihero.Pub Date: April 25, 2023
ISBN: 9798988160502
Page Count: 436
Publisher: Self
Review Posted Online: June 16, 2023
Kirkus Reviews Issue: Aug. 1, 2023
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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