by Gyles Brandreth ‧ RELEASE DATE: Aug. 13, 2019
Hope mixes with despair in this bittersweet cocktail of a writing/grammar guide.
Another handbook for those who love precision in language and who are not going gentle into that good night.
Brandreth, a British radio personality, former Member of Parliament, and author of the Oscar Wilde mystery series (Oscar Wilde and the Return of Jack the Ripper, 2019, etc.), skates lightly across the ice of his subject, offering some occasional humor (see the title). Like other books on the subject, this one assumes that most people care about being “correct” (do they?). The author writes in such a way that readers who already understand grammar, usage, and punctuation will best comprehend his lessons about subordinate clauses, restrictive and nonrestrictive modifiers, the use of apostrophes, and the like. On some issues, Brandreth stands rather firm (“alright” is not all right); on others, he feels the winds of change and realizes the end is near for, say, the difference between “who” and “whom.” The author pauses occasionally to comment on the differences between English in the U.K. and in America. His text also features long lists of various sorts: the meanings of prefixes and suffixes, the differences between spelling in British and American English, words that writers can confuse (“affect” and “effect,” “complement” and “compliment”), and common internet acronyms. Brandreth spends an inordinate amount of time on spelling, perhaps a superfluous endeavor in a time when many people are carrying around unabridged dictionaries on their phones. He urges his readers—especially those who wish to write—to increase their vocabularies and to read a lot (good advice). He concludes the main part of his text with some advice from some notable writers, including George Orwell, Martin Amis, William Safire, and Gyles Brandreth. In a postscript, the author provides a brief grammar lesson, explaining such things as parts of speech, misplaced and dangling modifiers, and transitive and intransitive verbs.
Hope mixes with despair in this bittersweet cocktail of a writing/grammar guide.Pub Date: Aug. 13, 2019
ISBN: 978-1-982127-40-4
Page Count: 320
Publisher: Atria
Review Posted Online: May 25, 2019
Kirkus Reviews Issue: June 15, 2019
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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