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WATCHING FROM THE DARK

Lodge's choices celebrate the complexity of humanity and elevate this police procedural.

A man reports the murder of his girlfriend, which happened while he was Skyping with her, in Lodge’s (She Lies in Wait, 2019) second English mystery.

At first the police don't take the report seriously because the caller won't give his name, but on a hunch, DCI Jonah Sheens and his team look into it, and they do indeed find the body of Zoe Swardadine. From the start, there is a plethora of shady characters doing shady things to hide their shady secrets. Foremost among them is Aidan, the (married) boyfriend who called in the crime. The drama of his on-again, off-again relationship with Zoe may have been responsible for her complete transformation over the last few months of her life. And then there’s Victor, Zoe’s irascible co-worker, who may have nursed his own fantasies of a relationship with her, and Maeve and Angeline, Zoe’s best friends, who relied on her to pick them up every time they fell. As a picture of Zoe’s last few months begins to coalesce, Jonah and his team sense a malevolent presence at the heart of the case—someone who hated Zoe enough to murder her at her most vulnerable time. They rush to put the pieces together before one of their own is unwittingly put in danger. Lodge alternates between chapters following the investigation into Zoe’s death and chapters that recount the final 20 months of her life, allowing the reader to understand Zoe as a fully rounded and complicated character, not just a victim. This choice, trendy in thrillers but almost always effective when the characters are strong, consistently reminds us to look beyond simplistic binaries of victim and perpetrator, innocent and guilty, and recognize that all humans make problematic choices, sometimes for good reasons and sometimes for bad.

Lodge's choices celebrate the complexity of humanity and elevate this police procedural.

Pub Date: Feb. 25, 2020

ISBN: 978-1-984818-07-2

Page Count: 352

Publisher: Random House

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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EAST OF EDEN

But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.

Tremendous in scope—tremendous in depth of penetration—and as different a Steinbeck as the Steinbeck of Burning Bright was from the Steinbeck of The Grapes of Wrath.

Here is no saga of the underprivileged—no drama of social significance. Tenderness, which some felt was inherent in everything Steinbeck wrote, is muted almost to the vanishing point in this story of conflict within character, impact of character on character, of circumstances on personalities, of the difficult acceptance of individual choice as against the dominance of inherited traits. The philosophy is intimately interwoven with the pace of story, as he follows-from New England to California over some fifty odd years-the two families which hold stage center. There are the Trasks, brothers in two generations, strangely linked, strangely at war the one with the other; there are the Hamiltons (John Steinbeck's own forebears), a unique Irish born couple, the man an odd lovable sort of genius who never capitalizes on his ideas for himself, the tiny wife, tart, cold-and revealing now and again unexpected gentleness of spirit, the burgeoning family, as varied a tribe as could be found. And- on the periphery but integral to the deepening philosophy which motivates the story, there is the wise Chinese servant scholar and gentleman, who submerges his own goals to identify himself wholly with the needs of the desolate Adam Trask, crushed by his soulless wife's desertion, and the twin boys, Cal, violent, moody, basically strong enough to be himself—and Aron, gentle, unwilling to face disagreeable facts, beloved by all who met him. In counterpoint, the story follows too the murky career of Adam's wife, Cathy—who came to him from a mysteriously clouded past, and returned to a role for which she was suited—as a costly whore, and later as Madame in Salinas most corrupt "house," where the perversions of sex ridden males were catered to—and cruelty capitalized upon.Shock techniques applied with rapier and not bludgeon will rule the book out for the tender-skinned.

But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.

Pub Date: Sept. 19, 1952

ISBN: 0142004235

Page Count: 616

Publisher: Viking

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: Sept. 1, 1952

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