An engrossing re-creation of the world of slavery, rich in social detail and psychological nuance.
Human bondage connects the lives of people on three continents in this sprawling saga of trans-Atlantic enslavement.
Ackroyd’s historical novel examines slavery in 1800 from the perspectives of dozens of perpetrators and victims. One plotline involves wealthy Scottish financiers of the slavery trade, including Aaron Migu, a businessman who outfits the schooner The Spirit of the Clyde; Stanley Staymann, a young nobleman with fantasies of owning enslaved people in America; and guilt-stricken George McCallum, who uses profits from selling human beings to support an abolitionist writer. A second thread follows inhabitants of Banyan Village on the West African coast, including 5-year-old Abebi; her mother, Efia; and her father, Thimba, a superlative hunter and closeted gay man. Europe and Africa collide on the Louisiana plantation of “the chevalier,” an aging patriarch who prefers André, his enslaved son by a concubine, to his other son and heir, Jacques; the latter conspires with his mother to poison the chevalier and humble André. The three narrative threads come together when the Banyan villagers are kidnapped and shipped on the Spirit to New Orleans for auction just as Stanley arrives to take control of the chevalier’s plantation. Ackroyd’s panorama steeps readers in dense, colorful historical detail. There are a few anachronistic notions, though, as when an ethnomusicologist solicits “slave input on how to decorate the chapel using African motifs and crafts within a Christian framework.” The author pens gripping scenes of the horrors of the Middle Passage and the plantation’s cane fields, but her focus is also sociological, addressing Scotland’s class hierarchy as it confronts newfangled ideas about human rights; the intricacies of West African religion; and queasy contradictions of plantation society. Ackroyd’s prose sometimes feels didactic (“He now understands the word libertarianism….It means ‘rejecting institutional authority and replacing it with trust in individual judgment’ ”), but she often achieves lyricism that illuminates characters’ lives: “The hunters, knowing life is mere clothing for a spirit that never dies, give thanks to Gran Legbwa in a wild dance and song.”
An engrossing re-creation of the world of slavery, rich in social detail and psychological nuance.Pub Date: Feb. 4, 2020
ISBN: 978-1-79608-662-1
Page Count: 546
Publisher: Xlibris Corp
Review Posted Online: Oct. 5, 2020
Kirkus Reviews Issue: Nov. 15, 2020
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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