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THE BANISHED IMMORTAL

A LIFE OF LI BAI (LI PO)

Jin dutifully explores Li Bai’s status as a major, high-spirited poet but with little of the vigor of his subject.

The National Book Award–winning Chinese-American novelist and poet sketches the life of one of his native country’s foundational poets.

Jin’s (Creative Writing/Boston Univ.; The Boat Rocker, 2016, etc.) subject, Li Bai (701-762), better known to Western readers as Li Po, wrote about rural China with a melancholy grace; his work is suffused with long rivers ferrying travelers under watchful moons, leaving lovers and drinking partners behind. The creator of this poised and forceful (if somber) work was restless, constantly torn between wanting a secure government perch and wanting to abandon mainstream society entirely. The son of a merchant, he grew up in relative financial comfort, but because of a cultural distrust of businessmen, he found it nearly impossible to qualify for officialdom. Instead, he traveled, often for years at a time, all but abandoning his wife and children, writing poems that caught the attention of fellow poets like Du Fu and of royalty; for a time, he was a favorite of the Tang dynasty emperor. However, court life felt like a gilded cage, and his attempts at statecraft were dismissed as amateurish. Li Bai is an intriguing bundle of contradictions, but Jin seems to struggle with how to reconcile them. The author is a careful, deliberate stylist, which has made for finely understated novels and short stories. When writing nonfiction, though—especially regarding a subject like Li Bai, where accurate historical records are sparse—his writing becomes restrained, even wooden. Though Jin has accessed Chinese-language sources, his book is often frustratingly bereft of interpretive power or context. For example, the author barely examines the publishing industry (or word of mouth) that led to Li Bai’s rising stardom but fusses over picayune squabbles about his behavior at court. Jin’s fine translations of his subject’s poems are blessedly abundant, but he resists delivering deep interpretations of them.

Jin dutifully explores Li Bai’s status as a major, high-spirited poet but with little of the vigor of his subject.

Pub Date: Jan. 8, 2019

ISBN: 978-1-5247-4741-1

Page Count: 320

Publisher: Pantheon

Review Posted Online: Oct. 1, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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