Written with great control, the novel unfolds as surprisingly as life often does.
A Chinese singer tries to avoid becoming a political pawn after a tour of the United States puts him at odds with his government.
Though 37 years old and a well-established vocalist in his native China, Yao Tian seems curiously naïve and passive. Things seem to happen to him; he doesn’t make them happen. At the end of his government-sponsored troupe’s American tour, he's invited by a political activist he knew in China to perform at a celebration for Taiwan’s National Day. He accepts, not out of any political convictions but because the fee he's offered will cover part of his daughter’s tuition at an expensive Beijing prep school. The performance lands him in trouble back home, where he’s threatened with the losses of employment and his passport. Those threats compel him to return to the United States, where he hopes his wife and daughter can eventually join him. The rest of the matter-of-fact narrative documents his life in America and the attempts by the Chinese government to besmirch his reputation, to turn what happens to him into a morality play about the consequences for an artist who betrays his homeland. Written with terse command, in short chapters and without literary flourish, the novel itself is no morality tale. Things happen, life is lived, a very different life than the one Tian might have known had he agreed to quit performing abroad and embarrassing his country. Far from his family and native culture, he processes personal tragedy, professional upheaval, and unlikely romance. Downward mobility takes his performing career from the concert hall to casinos to performing on the streets. Yet he doesn’t seem to regret his exchange of collective security in China for individual freedom in the U.S. Though he had never considered himself particularly political, he becomes more acutely aware of the political dimensions of his position. As he loses some of his voice as a singer, he gains more of a voice as a songwriter. He makes a life for himself, and it is one that both surprises and satisfies him.
Written with great control, the novel unfolds as surprisingly as life often does.Pub Date: July 27, 2021
ISBN: 978-1-5247-4879-1
Page Count: 352
Publisher: Pantheon
Review Posted Online: May 4, 2021
Kirkus Reviews Issue: May 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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