New science fiction from the veteran author of Still River (1987), etc. Near the end of the next century, diseases are evolving so rapidly that human survival itself is threatened. Nobody knows why, or how to tackle the problem. A low-cost expedition to examine possible pre-biotic chemistry on Saturn’s frigid, smoggy moon, Titan, may yield inspiration. Together with the sophisticated but nonsentient computer, Status, only 21 of the original 50 sickly crew members survive to reach Titan, where they soon encounter problems engendered by Titan’s unique high-pressure, low-gravity, supercold, nitrogen-hydrocarbon chemistry. Remote pilot Gene Belvew crashes his ramjet after an unexpected buildup of ammonia ice on the wings. Barn Inger dies in a grotesque accident when a chunk of water ice explodes, shattering his suit. Expedition leader Arthur Goodall, no longer able to tolerate the steadily increasing pain of his nerve disorder, descends to the surface and commits suicide, mingling human enzymes with the pre-biotic gels discovered on the surface. New leader Maria Collos picks up a tar sample that eats through her glove, so her hand must be amputated. Another weird gel actually engulfs the pseudolife labs dropped to study it. Another ramjet develops a transparent rubbery varnish that devours a wing. The varnish also dissolves Seichi Yakama’s spacesuit, and he dies by decompression. But analyses of the varnish give clues to what’s happening on Titan, and why disease is running rampant on distant Earth. Challenging problem, fascinating investigation, persuasive resolution: gripping hard SF from a veteran pro.
Pub Date: Sept. 8, 1999
ISBN: 0-312-86920-7
Page Count: 256
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1999
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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