by Hallee Adelman ; illustrated by Sonia Sánchez ‧ RELEASE DATE: Oct. 1, 2018
This depiction of role reversal regarding who holds responsibility for keeping the home calm and safe unfortunately offers...
A child uses fantasy to cope with the angry shouting coming from adults in the home.
Quinn feels sick, achy, and scared when the yelling starts. In response, Quinn pretends to blast off into outer space as the commander of the Quiet Ship. There, the rumbling of the engines is so loud that nothing else can be heard. Quinn explores and sometimes even meets other creatures who “hug us and speak in nice voices” while managing the overwhelming feelings through dissociation. Jagged lines and dark colors show the intensity of the conflict and the discomfort it provokes in Quinn. Eventually, a night comes when the arguing is so loud that the child is unable to access the Quiet Ship. Instead, Quinn makes the decision to confront the adults, yelling at them to stop. The adults appear shocked when they are confronted and respond gently. In Quinn’s context, speaking up in this way is an empowering choice. However, for many children, this would not be the case, and such an action may not even be safe. While well-intentioned, this lack of context around issues such as domestic violence limits the title’s overall utility. Quinn and their caregivers all have light skin and straight, black hair.
This depiction of role reversal regarding who holds responsibility for keeping the home calm and safe unfortunately offers more confusion than comfort. (Picture book. 4-8)Pub Date: Oct. 1, 2018
ISBN: 978-0-8075-6713-5
Page Count: 32
Publisher: Whitman
Review Posted Online: Aug. 13, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Christina Soontornvat ; illustrated by Barbara Szepesi Szucs ‧ RELEASE DATE: June 25, 2019
A jam-packed opener sure to satisfy lovers of the princess genre.
Ice princess Lina must navigate family and school in this early chapter read.
The family picnic is today. This is not a typical gathering, since Lina’s maternal relatives are a royal family of Windtamers who have power over the weather and live in castles floating on clouds. Lina herself is mixed race, with black hair and a tan complexion like her Asian-presenting mother’s; her Groundling father appears to be a white human. While making a grand entrance at the castle of her grandfather, the North Wind, she fails to successfully ride a gust of wind and crashes in front of her entire family. This prompts her stern grandfather to ask that Lina move in with him so he can teach her to control her powers. Desperate to avoid this, Lina and her friend Claudia, who is black, get Lina accepted at the Hilltop Science and Arts Academy. Lina’s parents allow her to go as long as she does lessons with grandpa on Saturdays. However, fitting in at a Groundling school is rough, especially when your powers start freak winter storms! With the story unfurling in diary format, bright-pink–highlighted grayscale illustrations help move the plot along. There are slight gaps in the storytelling and the pacing is occasionally uneven, but Lina is full of spunk and promotes self-acceptance.
A jam-packed opener sure to satisfy lovers of the princess genre. (Fantasy. 5-8)Pub Date: June 25, 2019
ISBN: 978-1-338-35393-8
Page Count: 128
Publisher: Scholastic
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
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by Erin Guendelsberger ; illustrated by Stila Lim ‧ RELEASE DATE: Feb. 1, 2022
A sweet, if oft-told, story.
A plush toy rabbit bonds with a boy and watches him grow into adulthood.
The boy receives the blue bunny for his birthday and immediately becomes attached to it. Unbeknownst to him, the ungendered bunny is sentient; it engages in dialogue with fellow toys, giving readers insight into its thoughts. The bunny's goal is to have grand adventures when the boy grows up and no longer needs its company. The boy spends many years playing imaginatively with the bunny, holding it close during both joyous and sorrowful times and taking it along on family trips. As a young man, he marries, starts a family, and hands over the beloved toy to his toddler-aged child in a crib. The bunny's epiphany—that he does not need to wait for great adventures since all his dreams have already come true in the boy's company—is explicitly stated in the lengthy text, which is in many ways similar to The Velveteen Rabbit (1922). The illustrations, which look hand-painted but were digitally created, are moderately sentimental with an impressionistic dreaminess (one illustration even includes a bunny-shaped cloud in the sky) and a warm glow throughout. The depiction of a teenage male openly displaying his emotions—hugging his beloved childhood toy for example—is refreshing. All human characters present as White expect for one of the boy’s friends who is Black.
A sweet, if oft-told, story. (Picture book. 4-8)Pub Date: Feb. 1, 2022
ISBN: 978-1-72825-448-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
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