An authentic and compassionate look at the ups and downs of teenage life and living with Tourette syndrome.

LIST OF TEN

A teen with Tourette syndrome works through a list of life-altering actions, including possible suicide.

When Troy’s Tourette syndrome emerged at age 6, a therapist suggested counting to 10 to ease his anxiety. The therapist also unknowingly instilled the number 10 into Troy’s comorbid obsessive-compulsive disorder thoughts and rituals. To recognize the 10th anniversary of his diagnosis, the high school sophomore has created a List of Ten with action items to take back his life from the disorder that controls it. This story by an author with Tourette syndrome delivers a painfully realistic depiction of living with chronic conditions, trying to fight them, and being bullied for them. Some of the items on Troy’s list even elicit pain, from meeting someone else with Tourette to seeking the mother who abandoned him, a Tourette sufferer as well. However, other goals, like driving a car and experiencing his first kiss, emerge from newfound friendships and tender scenes of first love and budding sexuality with girlfriend Khory. As Troy begins living on his own terms, he also approaches the last item on his list—commit suicide. Although the hopeful ending feels too quick and tidy, Troy’s first-person narrative shows understanding of neurodiverse individuals. Troy and Khory are White by default; some mutual friends are racially diverse.

An authentic and compassionate look at the ups and downs of teenage life and living with Tourette syndrome. (discussion questions, author's note) (Fiction. 14-18)

Pub Date: March 2, 2021

ISBN: 978-1-4549-4014-2

Page Count: 368

Publisher: Sterling Teen

Review Posted Online: Dec. 22, 2020

Kirkus Reviews Issue: Jan. 15, 2021

Did you like this book?

No Comments Yet

Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s.

GRIS GRIMLY'S FRANKENSTEIN

A slightly abridged graphic version of the classic that will drive off all but the artist’s most inveterate fans.

Admirers of the original should be warned away by veteran horror artist Bernie Wrightson’s introductory comments about Grimly’s “wonderfully sly stylization” and the “twinkle” in his artistic eye. Most general readers will founder on the ensuing floods of tiny faux handwritten script that fill the opening 10 pages of stage-setting correspondence (other lengthy letters throughout are presented in similarly hard-to-read typefaces). The few who reach Victor Frankenstein’s narrative will find it—lightly pruned and, in places, translated into sequences of largely wordless panels—in blocks of varied length interspersed amid sheaves of cramped illustrations with, overall, a sickly, greenish-yellow cast. The latter feature spidery, often skeletal figures that barrel over rough landscapes in rococo, steampunk-style vehicles when not assuming melodramatic poses. Though the rarely seen monster is a properly hard-to-resolve jumble of massive rage and lank hair, Dr. Frankenstein looks like a decayed Lyle Lovett with high cheekbones and an errant, outsized quiff. His doomed bride, Elizabeth, sports a white lock à la Elsa Lanchester, and decorative grotesqueries range from arrangements of bones and skull-faced flowers to bunnies and clownish caricatures.

Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s. (Graphic classic. 14 & up)

Pub Date: Aug. 27, 2013

ISBN: 978-0-06-186297-7

Page Count: 208

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: July 3, 2013

Kirkus Reviews Issue: July 15, 2013

Did you like this book?

No Comments Yet

This story is necessary. This story is important.

Reader Votes

  • Readers Vote
  • 28

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2017

  • Kirkus Prize
  • Kirkus Prize
    finalist

  • New York Times Bestseller

  • IndieBound Bestseller

THE HATE U GIVE

Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.

Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.

This story is necessary. This story is important. (Fiction. 14-adult)

Pub Date: Feb. 28, 2017

ISBN: 978-0-06-249853-3

Page Count: 464

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

Did you like this book?

more