by Hallqvist Todd Gerald Albertson ‧ RELEASE DATE: June 13, 2017
A worthy and concise explanation of mission-driven business theory, with resources for further reading.
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A book assesses socially responsible and religiously motivated approaches to capitalism.
In this volume, Albertson (Religious Worldview for the Business Professional, 2013, etc.) expands on his earlier work exploring the relationship between Christianity and business. The author addresses different methods of making money while also incorporating incentives beyond profit maximizing, primarily those that feature a Christian worldview. Albertson guides the reader through companies that describe themselves as “tentmakers,” “social entrepreneurs,” or “business as mission,” exploring the commonalities and variations of the assorted tactics. The book looks at the history of citing Christianity as a business value, drawing connections among the practices of fifth-century religious sects, the blend of mission and marketplace that created the British Empire, and modern-day stores like Hobby Lobby and Forever 21 that expressly integrate a Christian stance into their business procedures. The volume also examines what Albertson calls the “Social Innovation Movement,” a more secular strategy for mission-driven commerce (“The beauty of socially responsible investment is that everyone’s vision of a brighter future is not the same”). The “intentional capitalism” narrative constitutes about a third of the text; the remainder consists of a substantial notes section, delivering both citations and discussions; an appendix that serves as a literature review; and a thorough and detailed annotated bibliography that fills half the pages here. Although the narrative makes up only a small portion of the work, Albertson does a solid job of identifying the key questions about intentional capitalism and its diverse forms and providing the reader with plenty of useful information for additional study. Some readers may find Albertson’s tendency to invent his own definitions (“I am not a historian, so what I consider to be ‘modern history’ differs from that of many historians….It is my assertion that contemporary history begins sometime after modern history in the mid-twentieth century”) off-putting. But on the whole, the author’s analysis, based on a thorough knowledge of the topic, remains solid.
A worthy and concise explanation of mission-driven business theory, with resources for further reading.Pub Date: June 13, 2017
ISBN: 978-0-9854339-5-6
Page Count: 168
Publisher: Scattered Voices
Review Posted Online: Aug. 2, 2017
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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