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THE LOCUST AND THE BIRD

MY MOTHER’S STORY

An unflattering portrait, perhaps exacerbated by an infelicitous translation.

The memoir of Kamila, a Lebanese Muslim woman whose novelist daughter (Only in London, 2001, etc.) takes on the voice of her mother to tell her story.

Al-Shakyh begins in 1932, when her unschooled mother was also seven, living in poverty in a village outside Beirut. After she moved to Beirut to live with extended family, Kamila, whose views of life were shaped by romantic movies, fell in love with 17-year-old Muhammad. Forced at age 14 to marry her widowed, much older brother-in-law, she had her first child at 15 and her second (the author) three years later. Older family members took care of her children while the pretty, cunning Kamila stole money from her husband, mocked him at prayer and carried on an affair with Muhammad. Eventually she divorced, leaving her children behind, and married her lover. Marriage to Muhammad, however, was far from romantic, and she was soon overwhelmed by the responsibilities of running a household and exhausted by multiple pregnancies. Muhammad’s accidental death left her a widow at age 34 with five children to support. Especially vulnerable because she was a woman who could neither read nor write, Kamila somehow kept her family together, though the details are vague. She evaded or conned creditors and surrounded herself with women who gave each other moral support. The author tells less about the later years of her mother’s life, part of which she spent with family in Kuwait and later San Diego, where she appears as an unhappy, isolated woman and an interfering mother-in-law. The author returns to her own voice to end her mother’s story in Beirut, where Kamila died in 2001. The picture that emerges of a devious woman struggling to make her way in a rigid, male-dominated society is clear, but the prose is often trite and the chronology murky. A dramatis personae and occasional footnotes aid readers unfamiliar with Lebanese history or Muslim culture.

An unflattering portrait, perhaps exacerbated by an infelicitous translation.

Pub Date: Aug. 25, 2009

ISBN: 978-0-307-37820-0

Page Count: 320

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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