Reading this book will offer a perverse comfort to those who think our screen-infested culture curtails any possibility of...
Think all those surveillance cameras in public places will keep you safe and solve every crime? An intrepid Boston journalist and her police detective boyfriend find out that they probably won't.
Veteran TV reporter Jane Ryland and homicide cop Jake Brogan have seen a lot in their respective careers. And they still see each other as often as they can, even though both work to keep their romance relatively quiet since cops and reporters aren’t allowed to fraternize. Even so, the hours they spend apart are especially hectic and unnerving in Ryan's latest mystery-thriller (Truth Be Told, 2014, etc.). To begin with, there’s a fatal broad-daylight stabbing in Curley Park near City Hall. Lots of cameras are around, but Jake and his colleagues can’t quite figure out who’s been killed and who the perp or perps might be. And one young woman working with the city’s digital camera system can’t understand why her boss cuts off her attempt to retrieve video of the incident. The peripatetically employed Jane, meanwhile, is dispatched to the scene by one of the local TV stations just to “gather facts” and is pestered by a wannabe paparazzi who claims to have some pertinent pictures of what happened. And in the middle of this chaos, Jane gets a phone call from her soon-to-be-married sister saying her fiance’s 9-year-daughter from a previous marriage, who’s supposed to be their flower girl, is missing. The clock’s ticking on both cases, which, despite their differences, have darker forces of extortion, abduction, and corruption in high places lurking beneath their surfaces. Ryan, writing her fourth Jane Ryland novel, displays her trademark flair for knotty plotting, though it sometimes seems she's taking on more details than she can easily handle–just like her appealing protagonists. As the dual narratives rumble toward their respective climaxes, you somehow feel as though you’re pushed too hard and strung along too much at the same time. Still, this novel retains enough craftiness and jaunty humor to make it worth a night or two of breakneck reading.
Reading this book will offer a perverse comfort to those who think our screen-infested culture curtails any possibility of genuine mystery. Looks can still deceive in the digital age.Pub Date: Oct. 20, 2015
ISBN: 978-0-7653-7495-0
Page Count: 384
Publisher: Forge
Review Posted Online: July 28, 2015
Kirkus Reviews Issue: Aug. 15, 2015
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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