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SOMETHING WILD

A bold and remorseless debut about the agony and affection that are attendant to complicated families.

Attempts by adult sisters to extricate their mother from an abusive relationship force them to confront a shared trauma from their childhood.

The novel begins as Tanya and Nessa Bloom return to their hometown outside Boston to help their mother and stepfather prepare to move to New Hampshire. When the sisters, who are not nearly as close as they once were, arrive home, they are bewildered by what they find. Their mother, Lorraine, seems skittish and fragile; she’s gotten braces seemingly at random, and she’s overly deferential toward their stepfather, Jesse. These hints at domestic abuse quickly bear out, as Jesse grows angry at Lorraine and attacks her, even attempting to strangle her. After the daughters discover their bloodied mother and rush her to the hospital, Tanya encourages her to seek a restraining order. Nessa, who’s always had a soft spot for Jesse, tries to support Tanya’s plan, but she struggles to perceive her stepfather as a villain. Meanwhile, Lorraine grapples with her conflicting emotions for the man she can’t seem to stop loving. Nessa becomes a crutch, accepting her mother’s rationalizations for wanting to return to Jesse and angering Tanya, who only wants to see Lorraine escape immediately. As the sisters' already strained relationship deteriorates further, the author reveals a harrowing experience from their adolescence that continues to impact their feelings toward each other, toward men, and toward their mother. The characters face several difficult choices throughout the novel, and they repeatedly disappoint each other. Chapters alternate among the varying perspectives of all three women, and author Halperin expertly weaves scenes from the past into the present to build a more complete world. She also dives deep into the confused, reckless thoughts that can permeate adolescence. The characters are unflinchingly honest as they explore their emotions in a manner that is both refreshing and haunting. The novel is similarly unapologetic as it tackles difficult questions about abusive relationships, toxic secrets, and romantic and familial betrayals. While certain subplots do little to advance the narrative, this difficult story is sufficiently high stakes and relentless that it remains gripping throughout.

A bold and remorseless debut about the agony and affection that are attendant to complicated families.

Pub Date: June 29, 2021

ISBN: 978-1-98-488206-6

Page Count: 336

Publisher: Viking

Review Posted Online: May 4, 2021

Kirkus Reviews Issue: May 15, 2021

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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