Wistful, honest, and heartbreaking.
A writer falls in love with a musician, but their relationship isn't all beauty and light.
When Leah Kempler, a fiction fellow in the MFA program at the University of Wisconsin-Madison, meets Charlie Nelson, a musician, she’s immediately smitten. He’s beautiful, and their first-date conversation is easy and effortless. She soon finds out, though, that he still lives with his parents (who are kind and wonderful people, but still…) and that he isn’t allowed to be in charge of his own money. Her friends are politely dismissive of him, and he seems uncomfortable sharing her with other people. He admits that he's a recovering heroin addict, but when his behavior becomes erratic and even stalkerlike—he sends long paranoid texts, shows up at Leah’s door at all hours, or disappears for days at a time—Leah has to acknowledge that there's something wrong: He's started using again. And this is the cycle of tragedy that Charlie and his relationship with Leah and the book as a whole show us in stark detail: Drug addiction is an illness that's extremely difficult to cure. As Charlie himself says, “Imagine you’re in pain…but you know that…all you have to do is press [a] button, and that pain will vanish.…That button is heroin.” The novel is about more than Charlie’s struggles, of course. Leah’s writing, and her friendships with her fellow fiction writers; her lingering pain at having been abandoned by her mother at a young age; her complicated relationships with her own father and brothers—these all get meaningful air time, and we come to understand that Leah is a talented, complex woman who understands intellectually that Charlie is not good for her but who loves him all the same even as she knows that she can’t save him. Halperin humanizes the tragedy of drug addiction through Charlie, who is sweet and kind and loving and also irreparably damaged.
Wistful, honest, and heartbreaking.Pub Date: April 11, 2023
ISBN: 9780593492079
Page Count: 336
Publisher: Viking
Review Posted Online: Feb. 7, 2023
Kirkus Reviews Issue: March 1, 2023
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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