A thoughtful, page turning post-apocalyptic tale marred by a disjointed conclusion.
A historian documents his strange days hiding out in a Swiss hotel in the aftermath of nuclear war.
American historian Jon Keller is at a conference at L’Hotel Sixième outside of Zurich when a nuclear weapon destroys Washington, and more major cities aren’t far behind. The president is dead, and millions of others are, too. The horror is almost too much to contemplate. Many people in the hotel flee, but Jon stays and begins to chronicle his days with the small remaining group of guests and staff. He worries about his wife and two daughters back in San Francisco and laments that he didn't leave on the best of terms with his wife. He befriends a few of the guests, most notably the outspoken Tomi, who is the only other American; they have a doctor and plenty of food stores for the time being. Jon makes a record of his experiences in the hotel and collects the stories of his fellow survivors, hoping he can preserve something of what they were before the world went sideways. When Jon and a few others find the body of a little girl in a rooftop water tank, Jon resolves to find her killer. Trusted with a set of master keys, Jon sets about snooping around the enormous hotel. He often feels as if he’s being watched, adding a distinct element of creeping dread reminiscent of The Shining. Jameson delivers an eerie and unsettling tale, made even more so by its frequent mundanity. Even with a world in chaos, people still do what they do—form alliances, keep secrets, make love. They also go to lengths they never imagined they would. Jameson’s premise certainly resonates in our current political climate, and blame for the situation is leveled directly at Tomi because of whom she voted for in the last presidential election even as Jon ruminates that those who voted otherwise (like him) didn’t do enough to stop what happened. It makes for propulsive reading, but readers invested in what happened to the little girl in the water tank will find themselves scratching their heads when all is finally revealed in a rather rushed finale.
A thoughtful, page turning post-apocalyptic tale marred by a disjointed conclusion.Pub Date: April 9, 2019
ISBN: 978-1-5011-9882-3
Page Count: 320
Publisher: Atria
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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