The humor feels accidental here, with illustrations that fail to establish a consistent visual subtext.
Another wannabe bad guy.
“I am a bad guy,” announces an adorable little kid with Asian features as he strokes a white cat. Few young readers will pick up this James Bond reference, a slip that’s emblematic of the uneasy relationship between the book’s text and its illustrations, which can’t seem to decide whether to be literal or metaphorical. “On Monday I trapped all the superheroes in a giant cage with a bunch of hungry lions.” Strangely, the three lions are outside the cage, an upended laundry basket. Tuesday he is a pirate who ties his sister to a tree, and Wednesday he becomes a giant and “swallow[s] some astronauts whole.” In neither pirate nor astronaut image does there seem to be a relationship between an imagined world and the real one. Thursday he runs the sheriff (sister Alice again) out of town while astride what looks like a rocking horse. “On Friday, I ate Alice’s brain”—a winner of an image, with a plate of spaghetti and meatballs on poor Alice’s head and a truly evil-looking brother shoveling handfuls into his mouth. Saturday they go to the library. The “bad guy” finds books on applied badness, while Alice takes out Eat, Prey, Love—another reference to fly over the audience’s heads. Later, the “bad guy” gets hoist with his own petard in a feminist ending that does little to help the book cohere.
The humor feels accidental here, with illustrations that fail to establish a consistent visual subtext. (Picture book. 4-8)Pub Date: May 9, 2017
ISBN: 978-1-4814-6010-1
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: March 5, 2017
Kirkus Reviews Issue: March 15, 2017
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Brotherly love and Black joy abound in this brilliantly told tribute to the ties that bind.
When Mom and Dad bring baby Rasheed home for the first time, it’s love at first sight for big brother Anthony.
As the boys grow, Anthony teaches his little sibling how to build a tower with blocks (and how to knock it down with a loud “WHOP!!!”), how to ride a bike, and even how to fly (through a well-timed leap from the swings). When thunder and lightning wake them both one night, Anthony assuages Rasheed’s fears with the book’s titular refrain: “I got you.” But one day Anthony goes for a bike ride with his friends, leaving Rasheed alone and hurt. That night, Anthony explains that while he may spend time with his peers, his bond with Rasheed is unbreakable. And as the book comes to a close, with Mom and Dad introducing the boys to their new little sibling, Anthony leaves Rasheed with perhaps the greatest lesson of all: how to be a supportive big brother himself. Narrated by Rasheed, Barnes’ text is elegant in its simplicity, loving yet never saccharine, and always emotionally honest. Using varied perspectives, Knight-Justice’s richly hued, collagelike digital illustrations combine a patchwork of textures and patterns, immersing readers in this affectionate Black family’s world. Greens and blues dominate the pages, bringing to life an idyllic suburban setting.
Brotherly love and Black joy abound in this brilliantly told tribute to the ties that bind. (Picture book. 4-8)Pub Date: July 15, 2025
ISBN: 9780593111451
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
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