Moderately entertaining but very thin.
The once-wealthy, forever-entitled British aristocrats who lost their ancestral mansion in the crash of 2008 in House of Trelawney (2020) face new challenges in 2016-2017.
The focus here is on Ayesha, the illegitimate daughter rejected by the rest of the Trelawney family. Disdain turned to hatred after her wealthy husband, sleazy stock manipulator Sir Thomlinson Sleet, bought 800-year-old Trelawney Castle for her as a wedding present. Ayesha didn’t marry for love, but she did think Sleet would bring her security, a belief that proves unfounded when he becomes infatuated with a sexy cryptocurrency con artist and casually decides to dump Ayesha and get custody of their 5-year-old daughter…just because. Insecure, status-seeking Sleet is a monster painted with such broad strokes he might as well have a mustache to twirl, and the rest of Rothschild’s characterizations are equally clichéd. Despite her first-class degree and a prestigious art history prize, Ayesha comes across for 90% of the novel as a helpless victim; her only family ally, the Honourable Anthony Scott, is a stereotypical elderly gay man (an interior decorator, no less), and secondary characters like “aging minor royal” Princess Amelia are given to credulity-straining remarks such as, “In the good old days, ‘help’ had nowhere else to go….Now they have such highfalutin ideas. I blame the Chinese.” To give Rothschild her due, she crafts an enjoyably complicated narrative that eventually enables Ayesha to stymie some of Sleet’s nefarious plans and convince her hostile relatives she’s not so bad after all. Brexit, Donald Trump’s election, multiple financial shenanigans, and a clever scam involving risqué paintings hidden away by Iran’s puritanical regime are among the plot elements that will keep readers turning pages to find out what happens next. The abundance of machinations by a horde of not especially memorable characters, however, makes it likely that little of it will be remembered once the last chapter is finished.
Moderately entertaining but very thin.Pub Date: July 11, 2023
ISBN: 9780593536582
Page Count: 352
Publisher: Knopf
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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