The struggles of a young clergywoman make for a less than compelling story.
A pastor wrestles with her faith in a small Norwegian town.
After the suicide of her friend Kristiane, a puppeteer, Liv heads north from a seminary in Germany where she’s been pursuing a doctorate in theology to become the assistant to the parish priest in a remote Norwegian town. A year later, she still struggles to process her feelings about Kristiane’s death. Triggered by the suicide of the 19-year-old daughter of one of her parishioners, Liv’s thoughts lurch awkwardly in an undiluted stream of consciousness between the present day and memories of Kristiane—someone she describes repeatedly, and enigmatically, as “weightless”—reviving her regret over an argument she feels somehow may have contributed to her friend’s decision to take her life. To add to Liv’s anguish over what she confesses is “such a tangle, a hopeless endeavor to unravel an impossible tangle,” she frequently digresses to the subject of her doctoral research—the rebellion in 1852 of the Indigenous Sami against Norwegian settlers and their state church that “converged in a single point, a single channel, which was the language of Christianity.” The uprising occurred in a town several hours from Liv’s church, and she has an opportunity to visit the site when she attends a synod conference there. At that meeting, Liv, the only female priest in attendance, is confronted with the undisguised sexism of some of her colleagues, but that intriguing plot turn comes late in the novel and is abandoned quickly when another suicide attempt in Liv’s parish compels her to rush home. Ørstavik successfully evokes the atmosphere of life in rural Norway in winter, but the fact that her protagonist feels equally chilly and distant robs the story of much of its emotional force.
The struggles of a young clergywoman make for a less than compelling story.Pub Date: Oct. 5, 2021
ISBN: 978-1-953861-08-5
Page Count: 280
Publisher: Archipelago
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
Endicott’s latest novel is a quiet, elegant triumph with no easy answers.
Two sisters sail around the world.
It’s 1911, and after her much older half sister marries a ship’s captain, teenage Kay joins them onboard the Morning Light for a trip around the world. Their strict father has recently died, and as they travel, the sisters find themselves still haunted by his legacy: He’d run a school for Native American children in remote Canada, where scores of students apparently died from tuberculosis. Now Kay suffers from nightmares so severe she wakes up screaming. But as the trip continues, both Kay and her sister, Thea, begin to have a look around them. Kay begins studying ancient Greek with a goofy English pastor who’s joined them. Things change when Thea, who longs for a child, adopts a young boy from a poor Micronesian island. Kay is troubled by the adoption, though she can’t immediately articulate why. Endicott depicts her characters with great delicacy and sympathy. Kay, especially, is a wonder to behold: She’s barely a teenager when the novel begins, and to witness her first encounters with the world, as she quietly unravels her own feelings and beliefs about what she sees, is simply marvelous. The novel’s second half shifts in time and mood in a way that feels both surprising and exactly right. There is so much in this book to linger over, from Kay and Thea’s relationship with each other to the strength and autonomy of Kay’s mind to Endicott’s lyrical descriptions of the sea and the ship. It’s a novel to return to again and again.
Endicott’s latest novel is a quiet, elegant triumph with no easy answers.Pub Date: June 2, 2020
ISBN: 978-1-324-00706-7
Page Count: 400
Publisher: Norton
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
BOOK REVIEW
A brash, informed, and funny anti-epic.
Two warriors travel into a world of hero’s-journey tropes.
This highly meta debut novel by acclaimed poet Lewis runs on two plot threads, both powered by winking references to epic yarns from the Epic of Gilgamesh to the Bible to Moby-Dick and beyond. In one, Yara, a nonbinary artist, is recruited by God to take on Dominic, a Bad Guy. In the other, a lesbian prophet named Adrena is sent on a side quest to help a certain General Harpo locate his wife, who’s disappeared. Yara is ferried for much of their journey by a whale named HOWBIG!, who speaks in all caps and claims to be the reincarnation of Jacques Cousteau; Adrena finds a budding romance with a singer named Sivan, whom she discovers at a Camelot Music store. The usually brief chapters have titles defined by the narrator’s oft-snarky metacommentaries like “Oh, You Want to Know What Yara Looks Like?” and “Brace Yourself—Things Are About to Get Weird.” But Lewis isn’t pursuing archness for its own sake: Their tinkering with the familiar themes of epic sagas exposes both the power of quest stories and the kind of (usually masculine) authority we associate with them. Here, God is a profound egotist (“I’m losing worshippers! I need to recapture the public’s attention, to jingle my keys in front of the masses, so to speak”) and readers’ desire for bloodshed is a worthy subject in itself. (Chapter title: “I’m Honestly Worried About You—Why Do You Want to See More Violence?”) In that sense, Lewis is in line with the postmodern satirists of the 1960s and ’70s—John Barth, Robert Coover, William H. Gass—but with a new sensitivity about gender and sexuality, and a wit sharpened by the social media age. Lewis is questioning narrative, but their story is all cool assurance.
A brash, informed, and funny anti-epic.Pub Date: May 19, 2026
ISBN: 9798217059362
Page Count: 480
Publisher: Viking
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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