A short, bleak, capably written book, ironically titled, icy cold to the core.

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Prizewinning Norwegian Ørstavik (The Blue Room, 2014, etc.) follows the parallel courses of a single mother and her 8-year-old son during a night that moves unrelentingly toward tragedy.

Vibeke and her son, Jon, have recently relocated to a small town in northern Norway. Vibeke's mind is on a brown-eyed engineer at her new job. Jon is hoping for a train set for his birthday the next day and looking forward to the cake he imagines his mother making. A thoughtful boy, he has a way of blinking that annoys her and is concerned about torture victims around the world. "Dearest Jon," his mother calls him at dinner, but to herself she thinks, "Can't you just go...find something to do, play or something?" She remembers a dream that began at a glamorous party where a man admired her but ended in the "stench of urine," in "a wasteground of asphalt and ice." While she showers, Jon goes out into the wintry night to sell raffle tickets for the local sports center. He makes a friend and, dozing at her house later, also dreams: he and his mother return to their previous home and find it vandalized, his father at the table eating all their food and telling "sad stories about his life." A nightmarish sense of impending doom hangs over these carefully detailed, tightly controlled pages. Vibeke, thinking her son asleep in his room, also goes out. She has forgotten all about his birthday and goes bar hopping with a traveling carnival worker she meets. Her story and Jon's are told breathlessly close together, without page breaks, almost overlapping. When Jon returns from town, the house is locked, the car gone. It is at this point after 11 p.m.. Not once has it occurred to Vibeke to put her child to bed or even say good night to him. (Though this is clearly essential to the plot, it perhaps strains credulity.) She must have needed something for his birthday cake, he tells himself, and accepts a ride from a stranger in order to stay warm. "Aren't boys your age supposed to be in bed by now?" the driver asks. But it isn't creepy locals who pose the greatest threat or torture victims Jon should be worrying about.

A short, bleak, capably written book, ironically titled, icy cold to the core.

Pub Date: Feb. 13, 2018

ISBN: 978-0-914671-94-7

Page Count: 128

Publisher: Archipelago

Review Posted Online: Nov. 12, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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THE NICKEL BOYS

The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 21, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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