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THE GIRLS OF ROOM 28

FRIENDSHIP, HOPE, AND SURVIVAL IN THERESIENSTADT

An inspiring story of courage rendered through impressive personal and historical detail.

A deeply sympathetic account of a group of concentration-camp dorm mates who stayed in touch years after their release.

Of the 50 or so girls who met in Room 28, only 15 survived, and ten tell their affecting stories here. Located just north of Prague, Theresienstadt (Terezin) was used by the invading Nazi forces primarily as a transit station for prisoners headed for extermination farther east, as well as a so-called model camp with a self-governing Council of Elders that the Nazis could show the outside world as evidence of their fair treatment of the Jews. In fact, the SS ran it, easily duping the outsiders. The Jewish girls, ages 11 to 14, were wrenched from their family from various parts of what the Wehrmacht had set up as the Protectorate of Bohemia and Moravia. Often sickly and traumatized, they were grouped in Room 28, and soon began a difficult work routine and endured an unappetizing diet, bedbugs and epidemics such as typhoid and encephalitis. However, the youthful spirit of hope could not be extinguished even in the cruelest conditions. Through the diaries and notebooks the girls kept, as well as later personal accounts, Berlin-based journalist Brenner reveals the extraordinary means the girls and their caretakers took to share food and comfort and help each other. The author also chronicles the remarkable artistic experiments undertaken by the girls, especially their enthusiastic production of the children’s opera Brundibár.

An inspiring story of courage rendered through impressive personal and historical detail.

Pub Date: Sept. 1, 2009

ISBN: 978-0-8052-4244-7

Page Count: 336

Publisher: Schocken

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2009

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LET ME FINISH

Graceful and deeply felt.

A collection of personal pieces, combined into an affecting memoir by longtime New Yorker editor Angell.

The author, a noted baseball writer (A Pitcher’s Story, 2001, etc.), has many intimate connections to the magazine Gardner Botsford once dubbed “The Comic Weekly,” in which most of these reminiscences originally appeared. His mother, Katherine, was the New Yorker’s fiction editor; years later, Angell held her former job—and occupied her office. His stepfather, E.B. White, was the magazine’s most important contributor during its most influential years. The memoir mostly concerns New Yorker colleagues and other remarkable people who have been a part of the author’s life. His father, lawyer Ernest Angell, lost Katherine to the younger White but over the years became a figure of immense importance to Roger. Angell loved his mother, loved White, loved his first wife (not much here about the cause of their 1960s divorce), loved his coworkers, loved his job. His portraits are really tributes, whether of the well-known William Maxwell, V.S. Pritchett, Harold Ross or William Shawn, or the lesser-known Botsford and Emily Hahn. Angell offers some New Yorker–insider tidbits (Ian Frazier mimicked Shawn’s voice so well that he could fool colleagues over the phone) and a bit more than you want to know about some of his aunts, one of whom wrote a book about Willa Cather. A dazzling story-within-a-story describes a 1940 round of golf with a mysterious woman who lost a valuable ring. The author seems uncertain how an iPod works but reveals an expertise with machine guns. His fickle memory frustrates and bemuses him. Sometimes he can recall only sensory images; sometimes the story unreeling in his mind skips, stops, fades, dissolves into something else. In several of his most appealing passages, he writes about the fictions that memory fashions.

Graceful and deeply felt.

Pub Date: May 8, 2006

ISBN: 0-15-101350-0

Page Count: 304

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2006

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LETTER TO MY DAUGHTER

A slim volume packed with nourishing nuggets of wisdom.

Life lessons from the celebrated poet.

Angelou (A Song Flung Up to Heaven, 2002, etc.) doesn’t have a daughter, per se, but “thousands of daughters,” multitudes that she gathers here in a Whitmanesque embrace to deliver her experiences. They come in the shape of memories and poems, tools that readers can fashion to their needs. “Believing that life loves the liver of it, I have dared to try many things,” she writes, proceeding to recount pungent moments, stories in which her behavior sometimes backfired, and sometimes surprised even herself. Much of it is framed by the “struggle against a condition of surrender” or submission. She refuses to preach or consider her personal insights as generalized edicts. She is reminded of the charity that words and gestures bring and the liberation that comes with honesty. Lies, she notes, often spring out of fear. She cheated madness by counting her blessings. She is enlivened by those in love. She understands the uses and abuses of violence. Occasionally a bit of old-fashioned advice filters in, as during a commencement address/poem in which she urges the graduates to make a difference, to be present and accountable. The topics are mostly big, raw and exposed. Where is death’s sting? “It is here in my heart.” Overarching each brief chapter is the vital energy of a woman taking life’s measure with every step.

A slim volume packed with nourishing nuggets of wisdom.

Pub Date: Sept. 30, 2008

ISBN: 978-1-4000-6612-4

Page Count: 192

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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