by Maya Angelou and illustrated by Steve Johnson and Lou Fancher ‧ RELEASE DATE: Sept. 23, 2008
Angelou’s poem considers peace as a joyous concept that rises up during the Christmas season, drawing in and including those of all faiths, sweeping everyone along with its power. This visual interpretation of the poem follows the residents of a small town as they trek through deep snow to gather at their town hall for a holiday celebration. Although there are lighted Christmas trees throughout the town, this particular celebration is a nondenominational community dinner and candle-lighting, with people of many faiths and backgrounds joining together in peaceful solidarity. Johnson and Fancher’s understated, mixed-media illustrations use fabric scraps for plaid and checked coats on the townspeople, with darker fabrics for buildings and thick brushstrokes of white paint over cloth for the snow. Although doubtlessly well-intended, the author’s invitation to Buddhists, Confucians, Jains, Jews and Muslims—not to mention “Nonbelievers”—to join in the celebration of “the Birth of Jesus Christ / Into the great religions of the world” is at best tone-deaf and at worst frankly assimilationist. (Picture book/poetry. 6 & up)
Pub Date: Sept. 23, 2008
ISBN: 978-0-375-84150-7
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2008
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More by Maya Angelou
BOOK REVIEW
by Maya Angelou & photographed by Margaret Courtney-Clarke
by Katherine Applegate ; illustrated by Charles Santoso ‧ RELEASE DATE: Sept. 20, 2022
Rich, naturalistic details will delight lovers of marine life.
A Monterey Bay sea otter comes of age.
Odder’s mom told her to stay away from sharks, humans, and anything else she didn’t understand, but after saving her friend Kairi from a shark attack, she encounters all three. Injured herself during the rescue, Odder ends up recuperating at the Monterey Bay Aquarium, or Highwater as the otters call it, where she once lived as a young orphaned pup. Last time, the humans helped her reintegrate into the wild, but because of her injuries this time the outcome might be different. Soon Kairi is there too, stricken with “the shaking sickness” and having lost her newborn pup. Now Kairi is fostering a new pup, and soon one is introduced to an initially reluctant Odder in hopes that she will help raise it so it can return to the wild. The free verse effortlessly weaves in scientific information, giving Odder a voice without overly anthropomorphizing any of the animals. The natural appeal of sea otters will draw readers in, but the book doesn’t shy away from real-world threats such as predators, disease, and pollution. Loosely based on the stories of real sea otters rehabilitated at the Monterey Bay Aquarium, this novel will give readers lots to talk about, but uneven pacing and a rushed ending may leave some unsatisfied. Charming black-and-white spot art captures the world and life of the sea.
Rich, naturalistic details will delight lovers of marine life. (glossary, author’s note, bibliography, resources) (Verse novel. 8-12)Pub Date: Sept. 20, 2022
ISBN: 978-1-250-14742-4
Page Count: 288
Publisher: Feiwel & Friends
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
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More by Katherine Applegate
BOOK REVIEW
by Katherine Applegate & Gennifer Choldenko ; illustrated by Wallace West
BOOK REVIEW
by Katherine Applegate ; illustrated by Patricia Castelao
BOOK REVIEW
by Katherine Applegate ; illustrated by Charlie Alder
by Gwendolyn Brooks & illustrated by Faith Ringgold ‧ RELEASE DATE: Jan. 1, 2007
Brooks’s gloriously universal celebration of African-American childhood here receives a respectful and joyous treatment from one of the pre-eminent illustrators of the same. Readers coming to “Narcissa,” “Beulah at Church” and “Marie Lucille” for the first time will discover them accompanied by Ringgold’s trademark folk-art interpretations, the expressive brown figures depicted for the most part as vignettes against bright backgrounds. They show a Bronzeville that bustles with activity, single-family homes sharing the streets with apartment buildings and the occasional vacant lot. The children run, braids and arms out straight, and contemplate in turns, their exuberance tempered by the solemnity of childhood. While it’s regrettable that occasionally the specificity of the illustration robs a verse of its universality—the “special place” referenced in “Keziah” is shown to be underneath the kitchen table, for instance—the overall ebullience of the images more than compensates. There is a drop of truth in every single playful, piercing stanza, and anything that brings these poems to a new audience is to be cheered; a lovely package indeed. (Picture book/poetry. 7+)
Pub Date: Jan. 1, 2007
ISBN: 0-06-029505-8
Page Count: 48
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2006
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