by Maya Angelou and illustrated by Steve Johnson and Lou Fancher ‧ RELEASE DATE: Sept. 23, 2008
Angelou’s poem considers peace as a joyous concept that rises up during the Christmas season, drawing in and including those of all faiths, sweeping everyone along with its power. This visual interpretation of the poem follows the residents of a small town as they trek through deep snow to gather at their town hall for a holiday celebration. Although there are lighted Christmas trees throughout the town, this particular celebration is a nondenominational community dinner and candle-lighting, with people of many faiths and backgrounds joining together in peaceful solidarity. Johnson and Fancher’s understated, mixed-media illustrations use fabric scraps for plaid and checked coats on the townspeople, with darker fabrics for buildings and thick brushstrokes of white paint over cloth for the snow. Although doubtlessly well-intended, the author’s invitation to Buddhists, Confucians, Jains, Jews and Muslims—not to mention “Nonbelievers”—to join in the celebration of “the Birth of Jesus Christ / Into the great religions of the world” is at best tone-deaf and at worst frankly assimilationist. (Picture book/poetry. 6 & up)
Pub Date: Sept. 23, 2008
ISBN: 978-0-375-84150-7
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2008
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by Maya Angelou & photographed by Margaret Courtney-Clarke
by Marissa Meyer & Joanne Levy ‧ RELEASE DATE: Oct. 29, 2024
A warm bundle of holiday cheer.
In a funny, feel-good tale, 12-year-old twins separated at birth meet by chance and try to pull off a family switch during the December holidays.
The girls, who are cued white, agree that it would be a delicious prank, but each has a personal motive, too: Aviva Davis, who was adopted by a culturally Jewish mom and a Black dad who was raised Christian, wonders what it’s like to celebrate Christmas. Budding author Holly Martin, who was adopted by a white-presenting single mom, sees a golden opportunity to gather experiences for a school writing assignment about facing her fears. In a plot as sweet as a Hanukkah jelly doughnut and twisty as a Christmas cinnamon roll, the pair just manages to bail one another out of a string of sticky situations—both hilarious and otherwise. They both learn something of the customs and meaning of the two holidays while working through tears and laughter—not to mention conflicts sparked by their very different personalities. Everything culminates in a holiday performance at a local senior center that will have readers rising up to cheer them on. Though their history remains tantalizingly mysterious, for the protagonists, who narrate alternating chapters, it’s mission accomplished and more: Aviva emerges feeling more secure in her Jewish identity, while anxious Holly discovers unexpected depths of courage.
A warm bundle of holiday cheer. (song lyrics) (Fiction. 8-12)Pub Date: Oct. 29, 2024
ISBN: 9781250360670
Page Count: 256
Publisher: Feiwel & Friends
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
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by Marissa Meyer ; illustrated by Chuck Gonzales
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by Gwendolyn Brooks & illustrated by Faith Ringgold ‧ RELEASE DATE: Jan. 1, 2007
Brooks’s gloriously universal celebration of African-American childhood here receives a respectful and joyous treatment from one of the pre-eminent illustrators of the same. Readers coming to “Narcissa,” “Beulah at Church” and “Marie Lucille” for the first time will discover them accompanied by Ringgold’s trademark folk-art interpretations, the expressive brown figures depicted for the most part as vignettes against bright backgrounds. They show a Bronzeville that bustles with activity, single-family homes sharing the streets with apartment buildings and the occasional vacant lot. The children run, braids and arms out straight, and contemplate in turns, their exuberance tempered by the solemnity of childhood. While it’s regrettable that occasionally the specificity of the illustration robs a verse of its universality—the “special place” referenced in “Keziah” is shown to be underneath the kitchen table, for instance—the overall ebullience of the images more than compensates. There is a drop of truth in every single playful, piercing stanza, and anything that brings these poems to a new audience is to be cheered; a lovely package indeed. (Picture book/poetry. 7+)
Pub Date: Jan. 1, 2007
ISBN: 0-06-029505-8
Page Count: 48
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2006
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